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Seven Essays

Studies in Literature, Drama, and Film


Abdulla M. Al-Dabbagh

In Seven Essays: Studies in Literature, Drama, and Film, Abdulla Al-Dabbagh’s unique approach to literary and cultural issues succeeds in casting new light on these subjects, revealing innovative fields of research and investigation. Expressed in his usual lucid and eloquent style, this collection of essays deals with themes and topics raised in Al-Dabbagh’s first two books, Literary Orientalism, Postcolonialism, and Universalism (Lang, 2010) and Shakespeare, the Orient, and the Critics (Lang, 2010). These essays also embrace further exploration in the area of literary criticism and literary theory and venture into the area of film studies. Whether discussing the drama of Shakespeare and Ibsen, Kurdish cinema, or issues of contemporary literary criticism and theory, scholars will find Al-Dabbagh’s fresh compilation of literary studies an essential contribution to the field.
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Chapter 6. The Achievement of Victorian Orientalism


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Reflections of the East and preoccupations with oriental matters in Victorian literature and Victorian thought reveal that the literary orientalism embodied particularly in the fiction and the poetry of the period remained very far from a uniform and unchanging receptacle of distortion and hostility, and demonstrate that Victorian thought, in its best manifestations, constantly attempted and generally succeeded in coming to terms with the oriental “Other”. This paper will try to substantiate this argument through the discussion of the oriental element in the poetry of Edward FitzGerald, the fiction of George Eliot, and the ideas of Karl Marx. Victorian orientalism, although a product of the era of high capitalism and early imperialism and hence, quite expectedly, handicapped by the limitations of its social and historical context, was surprisingly successful in transcending the limits of the age and producing a relatively accurate account as well as a fairly persuasive discourse. More specifically, the universalist dimension inherent in Victorian orientalism, particularly in the works of FitzGerald, Eliot, and Marx, was the key to its positive accomplishment and to its powerful influence into the twentieth century.

The central achievement of FitzGerald’s Rubaiyat (1859), something hinted at by his critics but never fully spelled out, is surely his great feat of “appropriation”, whereby an oriental text is fully “domesticated” to become ← 61 | 62 → accepted, spontaneously, and almost magically, as part of the “target” literature and culture. The Rubaiyat...

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