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The Supersensible in Kant’s «Critique of Judgment»
Series:
Julie N. Books
In this close analysis of Immanuel Kant’s aesthetics in his
Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.
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Bibliography
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Ameriks, Karl. Interpreting Kant’s Critiques. Oxford: Oxford University Press, 2003.
Arnheim, Rudolph. Art and Visual Perception. Berkeley: University of California Press, 1954.
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Blocker, Gene H. Philosophy of Art. New York: Charles Scribner’s Sons, 1964.
Blocker, Gene H., and Jennifer M. Jeffers, eds. Contextualizing Aesthetics: From Plato to Lyotard. Belmont, California: Wadsworth Publishing, 1999.
Books, Julie N. Michelangelo and the Council of Trent: An Examination of Sixteenth Century Censorship of the Arts. Senior thesis. Princeton: Princeton University Library, 1991.
———. The Ontology of Film. PhD diss. Ann Arbor, MI: ProQuest, 2002.
———. Pond Showing Egyptian Perspective, 2015. Oil on canvas, 22 in. × 28 in., Winchester, Virginia.
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