Show Less
Restricted access

Mediated Moms

Contemporary Challenges to the Motherhood Myth

Edited By Heather L. Hundley and Sara E. Hayden

Images of «good mothers» saturate the media, yet so too do images of mothers who do not fit this mold. Numerous scholars have addressed «bad mothers» in the media, arguing that these images are a necessary counterpoint that serves to buttress the «good mother» myth. While mediated images of women who fail to enact good motherhood may promote good mothering as an ideal, the essays in Mediated Moms: Contemporary Challenges to the Motherhood Myth, suggest that this is not all that is occurring in contemporary portrayals of maternity. The authors in this volume explore how images of mothers have expanded beyond the good/bad dichotomy, simultaneously and sometimes paradoxically serving to reinforce, fracture, and/or transcend the ideology of good motherhood.
Show Summary Details
Restricted access

3. Motherhood and Mental Health: Carrie Mathison’s Homeland Pregnancy



The mass media’s portrayal of pregnancy and parenthood often demonstrates an unrealistic view of these experiences, idealizing intensive mothering and promoting a pronatalist viewpoint. One recent depiction of pregnancy breaking the Hollywood mold is that of Carrie Mathison on Showtime’s Homeland. The Central Intelligence Agency (CIA) officer’s pregnancy became a storyline in the show’s third season for many reasons—the married, terrorist father, Carrie’s nontraditional career, her reaction to the pregnancy, and her ongoing struggle with mental illness. Carrie’s character brings up many questions about capable parenting, inviting viewers to consider their own opinions. Research has shown the media significantly impact how people think about mental health issues, particularly audiences who do not have personal experience with the subject (Gerbner, Gross, Morgan, Signorielli, & Shanahan, 2002; Philo, Secker, Platt, Henderson, McLaughlin, & Burnside, 1994; Signorielli, 1989). Additionally, a correlation has been found between television viewing and intolerance to people with mental health issues (Granello & Pauley, 2000; Sieff, 2003). However, in creating protagonist Carrie, show writers have positioned audiences to support and empathize with her struggle—humanizing the challenges of bipolar disorder even as they simultaneously dramatize them. The show highlights Carrie’s periodic struggles to manage her own care by depicting issues with medication dosages and problems with her career. However, by introducing a pregnancy into the storyline, the show asks viewers to question Carrie’s ability to parent.

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.