Rivers of Sacred Sound traces the flow of influences from East to West, from
BC to AD and from wordless jubilations to the setting of texts. It takes the
discussion about western chant beyond a European perspective.
The text of this book, preceded by an introduction, is presented in seven
chapters and covers a period of approximately five thousand years. There are
many references all over the world to praising the divine with sound. Thus
the starting point is the praise song, a fundamental impulse in mankind. The
Rg-Veda requests that our loudest-sounding hymn be accepted, as food most
delightful to the Gods. The Psalms request us to make a joyful noise unto God
and to sing forth the honour of His name. Spontaneous songs became ritual
events. In an aural culture what was the role of gesture and what is its role
now? There are many doors to open in pursuing these and other questions.
This book opens some of them.
Music and Spirituality explores the relationships between spirituality and music in a variety of traditions and contexts including those in which human beings have performed music with spiritual intention or effect. It will address the plurality of modern society in the areas of musical style and philosophical and religious beliefs, and give respect to different positions regarding the place of music both in worship and in the wider society. It will include historical, anthropological, musicological, ethnomusicological, theological and philosophical dimensions and encourage multidisciplinary and cross-disciplinary contributions. It looks for well-researched studies with new and open approaches to spirituality and music and will encourage interesting innovative case-studies. Books within the series are subject to peer review and will include single and co-authored monographs as well as edited collections including conference proceedings. It will consider the use of musical material in either written or recorded form as part of submissions. The Series Editor The Rev Professor June Boyce-Tillman MBE is Professor of Applied Music at the University of Winchester, where she runs the Centre for the Arts as Wellbeing and the Taverner centre for Music and Spirituality. She has wide experience in education, spirituality and music and has published widely in these areas. She is an Extraordinary Professor at North West University, South Africa. She is a self-supporting ordained Anglican Priest and received an MBE for her contribution to music and education. Proposal submissions should be sent to firstname.lastname@example.org
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