Contemporary Theatre in Metropolitan Manila
This book proposes entanglement as a useful idiom for understanding the contemporary Manila theatre. Drawing on its Tagalog counterpart, buhol-buhol, entanglement is conceived not only as a juxtaposition among elements, but also as a process of muddling and snaring. Taken together, these affirm the entangled character of contemporary Manila theatre in overlapping representations, histories, relationships and genres, while at the same time marking some problematic limitations in the treatment of chosen subjects by Manilan artists. The reason for this is that while these entanglements render Manila theatre far more complex than the accusations of mimicry and inauthenticity frequently leveled at Filipino culture, artists are often caught up in a more intractable buhol-buhol than they are willing or able to recognize. Four figures of buhol-buhol are identified in this book: pista (fiesta), kapuluan (archipelago), patibong (trap), and nangingibang-bayan (overseas-worker). In conceptualizing these figures of entanglement, the discussions start by illustrating their materiality and performativity before proceeding to reflections about how these are directed towards the complexity of Manila theatre.
Orosman at Zafira, by Francisco Baltazar, additional lines by Anril Tiatco, music by Carol Bello. Directed by Dexter Santos. Dulaang UP, Wilfrido Ma. Guerrero Theater, Quezon City, 28 February 2008.
Rizal X, by Katte Sabate and Chic San Agustin, music by William Manzano. Directed by Dexter Santos. Dulaang UP, Wilfrido Ma. Guerrero Theater, Quezon City, 24 July 2011.
The Care Divas, by Liza Magtoto, Music by Vincent De Jesus. Directed by Maribel Legarda. Philippine Educational Theater Association, PETA Theater Center, New Manila, 3 December 2011.
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