Building an International Identity
9Preface This thesis has been completed with the support and guidance of several institu- tions and many individuals. Firstly, I would like to thank Jacobs University Bremen for the financial and institutional assistance that has been provided for the duration of the project. I thank Dean Hendrik Birus and the School of Hu- manities and Social Science for hosting this project. I thank Dissertation Com- mittee Member Professor Paul Crowther for his participation throughout differ- ent stages of this work. I wish to express my gratitude to Professor Isabel Wünsche, Dissertation Committee Chair and supervisor of this thesis, not only for the opportunity to pursue my doctoral studies at Jacobs University, but also for the continuous support and guidance she has offered me. I have appreciated the flexibility and accommodation with which Professor Wünsche has super- vised this project. I would also like to thank Dissertation Committee Member, Professor John G. Hatch, for guidance that reaches past the scope of this thesis. As supervisor of my undergraduate and previous graduate studies, Professor Hatch encouraged me to pursue this project. The topic of this thesis and the ob- servation of a link between Arte Povera and the baroque began with Professor Hatch and grew out of discussions held in his graduate seminar at the University of Western Ontario, London, Canada. I thank Ida Gianelli and the Castello di Rivoli Museo d’Arte Contempora- nea in Turin, Italy, for hosting my internship in the fall of 2005. As supervisor of my...
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