A Literary Analysis of the Abraham Narrative
The narrative’s artistic design is especially evident in its arrangement of the two halves of the story around the protagonists’ change of name. The stories of Abram and Sarai in the first half of the cycle (11:27-16:16) are parallel to the stories of Abraham and Sarah in the second half (18:1-22:24). A close reading of this transformation in the biblical narrative illuminates the moral and theological values championed by the figure of Abraham as luminary, soldier, family man, and loyal subject of God.
Chapter 2: Abram’s Journey to Canaan (12:1–9)
The Omitted Introduction
Learning from omission is challenging, particularly with regard to the succinct style of biblical narrative. Nonetheless, sometimes the silence of the text is so powerful that it cannot be ignored.1 The fact that no details are given regarding Abram’s character prior to God’s revelation is surprising. The reader is supplied with Terah’s genealogy, including such details as Sarai’s barrenness and the tragedy of orphaned Lot, but no information is supplied about Abram himself to explain why he stands out, and why he is an appropriate choice for the position assigned to him by God. A comparison between Abram and Moses will reveal this notable difference: Moses’ story is complex, and includes such components as his birth and escape from Pharaoh’s edict, as well as a rare and highly evolved moral personality that is expressed through his actions in Egypt and Midian (Ex 2). These stories are an appropriate introduction, which provides the reader with the information necessary to understand God’s revelation to Moses through the burning bush (Ex 3). The absence of a similar story about Abram, and the reason behind God’s choice, is troubling. Early midrashic literature sought to fill this void, and integrated foundations of Abram’s devotion and escape from the edict of a king, similar to Moses.2 The midrashic literature might reflect earlier traditions that were rejected in ← 83 | 84 → the canonical text of Genesis,3 or an attempt to creatively fill the void in the text. One way or...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.