New Critical Perspectives
Edited By Elke D'hoker, Raphaël Ingelbien and Hedwig Schwall
ELKE D’HOKER, RAPHAËL INGELBIEN AND HEDWIG SCHWALL Introduction 1 ANNE FOGARTY ‘I was a Voice’: Orality and Silence in the Poetry of Eavan Boland 7 Margaret Mills Harper ‘The Real Thing’: Body Parts and the Zero Institution in Ní Chuilleanáin’s Poetry 25 Lucy Collins Joyful Mysteries: Language and Spirituality in Medbh McGuckian’s Recent Poetry 41 Niamh Hehir ‘I have grown inside words/Into a state of unbornness’: Evocations of a Pre-linguistic Space of Meaning in Medbh McGuckian’s Poetry 57 MÁria Kurdi Narrating Across Borders: From Gendered Experience of Trauma to Subject Transformation in Monologues by Irish Women Playwrights 73 vi Caoilfhionn Ní Bheacháin ‘The seeds beneath the snow’: Resignation and Resistance in Teresa Deevy’s Wife to James Whelan 91 Faith Binckes and Kathryn Laing A Vagabond’s Scrutiny: Hannah Lynch in Europe 111 Maureen O’Connor ‘I’m meat for no butcher!’: The Female and the Species in Irish Women’s Writing 133 Eve Eisenberg ‘And then the sausages were ordered’: Jewishness, Irishness and Othering in Castle Rackrent 151 Christina Morin Undermining Morality? National Destabilisation in The Wild Irish Girl and Corinne ou L’Italie 169 Catherine Smith ‘Words! Words! Words!’: Interrogations of Language and History in Emily Lawless’s With Essex in Ireland 187 Kathryn Johnson ‘Phantasmagoric Hinterlands’: Adolescence and Anglo-Ireland in Elizabeth Bowen’s The House in Paris and The Death of the Heart 207 vii Tina O’Toole Unregenerate Spirits: The Counter-Cultural Experiments of George Egerton and Elizabeth Bowen 227 Sylvie Mikowski Deirdre Madden’s Novels: Searching for Authentic Woman 245...
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