The Interpretation of Aesthetic Perception
The book offers a chronological study of select essays and lectures, both published and unpublished, written by Roger Fry between the 1890s and his death in 1934. Where relevant his writings are juxtaposed with those of other art critics and theorists to identify factors that shaped his thinking and his use of terminology and to clarify the critical context in which he was working. Since Fry’s work as a visual artist ran alongside his critical thinking, some attention is given to his paintings as a method of illustrating his practical experimentation with aesthetic principles, particularly formalist concepts.
image: Roger Fry, Self-Portrait, 1928, Oil on canvas, 45.7 x 37.1 cm, © The Samuel Courtauld Trust, The Courtauld Gallery, London. Purchased with the assistance of the Art Fund and the Victoria & Albert Museum Purchase Grant Fund, 1994. Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available on the Internet at http://dnb.d-nb.de. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data: Rubin, Adrianne, 1969- Roger Fry’s ‘difficult and uncertain science’ : the interpretation of aesthetic perception / Adrianne Rubin. pages cm. -- (Cultural interactions. Studies in the relationship between the arts ; 28) Includes bibliographical references and index. ISBN 978-3-0343-0791-8 (alk. paper) 1. Fry, Roger, 1866-1934. 2. Aesthetics. I. Title. N7483.F79R83 2012 701’.17092--dc23 2012039491 For W. H. R., N. J. A. and Z. G. A.
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