Staging Interactive Encounters
Edited By Outi Remes, Laura MacCulloch and Marika Leino
The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.
4. Histories of Interaction and Participation: Critical Systems from New Media Art
← 64 | 65 →BERYL GRAHAM
4Histories of Interaction and Participation: Critical Systems from New Media Art
Histories of interaction and participation
[…] it was not the institution of the Museum of Modern Art that was staging a dialogue with its viewers: that role was now commandeered by the artist.1
It is in the installation design of the first half of the twentieth century that the sources of such practices as viewer interactivity and site specificity, as well as multimedia, electronic and installation-based work, are to be found.2
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.