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Metamorphoses of Science Fiction

On the Poetics and History of a Literary Genre

Series:

Darko Suvin

Edited By Gerry Canavan

Returning to print for the first time since the 1980s, Metamorphoses of Science Fiction is the origin point for decades of literary and theoretical criticism of science fiction and related genres. Darko Suvin’s paradigm-setting definition of SF as «the literature of cognitive estrangement» established a robust theory of the genre that continues to spark fierce debate, as well as inspiring myriad intellectual descendants and disciples. Suvin’s centuries-spanning history of the genre links SF to a long tradition of utopian and satirical literatures crying out for a better world than this one, showing how SF and the imagination of utopia are now forever intertwined. In addition to the 1979 text of the book, this edition contains three additional essays from Suvin that update, expand and reconsider the terms of his original intervention, as well as a new introduction and preface that situate the book in the context of the decades of SF studies that have followed in its wake.
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9. Wells as the Turning Point of the SF Tradition

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H.G. Wells’s first and most significant SF cycle (roughly to 1904) is based on the vision of a horrible novum as the evolutionary sociobiological prospect for mankind. His basic situation is that of a destructive newness encroaching upon the tranquillity of the Victorian environment. Often this is managed as a contrast between an outer framework and a story within the story. The framework is set in surroundings as staid and familiarly Dickensian as possible, such as the cozy study of The Time Machine, the old antiquity shop of “The Crystal Egg,” or the small towns and villages of southern England in The War of the Worlds and The First Men in the Moon. With the exception of the protagonist, who also participates in the inner story, the characters in the outer frame, representing the almost invincible inertia and banality of prosperous bourgeois England, are reluctant to credit the strange newness. By contrast, the inner story details the observation of the gradual, hesitant coming to grips with an alien superindividual force that menaces such life and its certainties by behaving exactly as the bourgeois progress did in world history – as a quite ruthless but technologically superior mode of life. This Wellsian inversion exploits the uneasy conscience of an imperial civilization that did not wipe out only the bison and the dodo: “The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants. Are we such apostles of...

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