Éthique de l’imitation dans la littérature et le cinéma de l’immigration en France (1986–2005)
Titres de la collection
Modern French Identities
Edited by Peter Collier
This series aims to publish monographs, editions or collections of papers based on recent research into modern French Literature. It welcomes contributions from academics, researchers and writers in British and Irish universities in particular.
Modern French Identities focuses on the French and Francophone writing of the twentieth century, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers.
The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide and Apollinaire to Kristeva, Barthes, Duras, Germain and Roubaud.
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.