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The Politics of Dubbing

Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy

by Carla Mereu Keating (Author)
©2015 Monographs XII, 184 Pages

Summary

During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema’s mass popularity.
Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government’s support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini’s administration to early Italian-language talkies produced abroad and documents the state’s role in initiating and encouraging Italians’ habit of watching dubbed films.

Table Of Contents


Details

Pages
XII, 184
Publication Year
2015
ISBN (Softcover)
9783034318389
ISBN (PDF)
9783035308334
ISBN (MOBI)
9783035397291
ISBN (ePUB)
9783035397307
DOI
10.3726/978-3-0353-0833-4
Language
English
Publication date
2016 (June)
Keywords
Film trade press Audiovisual translation Film translated into Italian Fascist Italy Sound technologies in cinema Film censorship
Published
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2015. XII, 184 pp., 8 b/w ill.
Product Safety
Peter Lang Group AG

Biographical notes

Carla Mereu Keating (Author)

Carla Mereu Keating holds a PhD in Italian Studies from the University of Reading. She has contributed to various publications on film history, censorship, ethnicity, dubbing and subtitling. She is a visiting research fellow at the Centre for the Study of Cultural Memory at the Institute of Modern Languages Research, School of Advanced Studies, University of London. Her current research focuses on portrayals of warfare and war legacy in films, state censorship and the shaping of cultural and collective memory.

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Title: The Politics of Dubbing