Essays on Literature and Architecture
Topics include the building of imaginary spaces, such as the architectural models of comic book worlds created by the cartoonist Seth and the Museum of Innocence by Orhan Pamuk, which is both novel and building. Real architectural spaces are recontextualized through literature: reading the work of Louis Kahn through his personal library and envisioning the writing haven of James Baldwin through his novels. Another approach links literary style with architectural form, as in the work of the New York School poets, who reformulate the built environment on the page. Architectural landmarks like Robert Stevenson’s Roundhouse (1847), Joseph Paxton’s Crystal Palace for the Great Exhibition and the 2012 Olympic Park are reconsidered as counter-narratives of postcolonialism and empire, and the New York skyline is examined alongside literature and visual culture.
This collection demonstrates the reciprocal exchange that exists between the disciplines of literature and architecture and promotes new ways of understanding these interactions.
About the author
Terri Mullholland teaches in the Department for Continuing Education at the University of Oxford. Her teaching and research interests are in early twentiethcentury women’s writing and modernism. She has published articles on Jean Rhys and Dorothy Richardson and her monograph British Boarding Houses in Interwar Women’s Literature: Alternative Domestic Spaces is forthcoming. Nicole Sierra is a Leverhulme Early Career Fellow in the Department of English at King’s College London, where she teaches twentieth- and twenty-first-century literature and critical theory. She is currently finishing a monograph on architecture, literature and postmodernism and working on a book project on the Britishborn Surrealist Leonora Carrington.
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