The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within the metaphors of Shakespeare, Pope and Dickens; and within the visual metaphors of Picasso, Magritte and Bacon. This book explores the difference between the great and the failed works of the supreme poet-painter, William Blake, and tracks the migrations of the Satiric muse between verbal mockery and scabrous images in Persius, Pope, Gillray and Gogol. It records the rise, and partial decline, of the vividly «seen» novel in Dickens, Flaubert, Tolstoy, Proust and Hardy.
The key concept throughout this book is visual metaphor, which in the twentieth century acquired overarching importance: in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. The book closes with a far-reaching definition of visual metaphor and with the great visual metaphor of the human body.
Anon., The Block Reader in Visual Culture (London: Routledge, 1996).
Brendel, Otto, ‘The Interpretation of the Holkham Venus’, The Art Bulletin 28/2 (1946), 65–75.
Brennan, Teresa, and Martin Jay, Vision in Context: Historical and Contemporary Perspectives on Sight (London: Routledge, 1996).
Bruce, V., P.R. Green and M.A. Georgeson, Visual Perception: Physiology, Psychology and Ecology, 4th edn (London: Lawrence Erlbaum, 2003).
Bryson, Norman, Michael Ann Holly and Keith Moxey, eds, Visual Theory: Painting and Interpretation (Cambridge: Polity Press, 1991).
Elkins, James, Visual Studies: A Skeptical Introduction (London: Routledge, 2003).
Gregory, Richard L., Eye and Brain: The Psychology of Seeing, 5th edn (Oxford: Oxford University Press, 1997 ).
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