Edited By Birgit M. Bauridl and Pia Wiegmink
The volume is uniquely located at the interdisciplinary crossroads of Performance Studies and transnational American Studies. As both a method and an object of study, performance deepens our understanding of transnational phenomena and America’s position in the world. The thirteen original contributions make use of the field’s vast potential and critically explore a wide array of cultural, political, social, and aesthetic performances on and off the stage. They scrutinize transnational trajectories and address issues central to the American Studies agenda such as representation, power, (ethnic and gender) identities, social mobility, and national imaginaries. As an American Studies endeavor, the volume highlights the cultural, political, and (inter)disciplinary implications of performance.
Playing (with the) Future: Biology and Preemptive Performativity (Frederike Offizier)
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Playing (with the) Future: Biology and Preemptive Performativity
Abstract: Turning to performances that are not at first sight considered cultural, this essay focuses on biosecurity practices such as scenario exercises. It shows how they perform and (re-)produce national identity narratives, while establishing a preemptive relation to future events.
[T]he consciousness of being at war, and therefore in danger, makes the handing-over of all power to a small caste seem the natural, unavoidable condition of survival.(George Orwell, 1984)
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