Edited By Janina Falkowska and Krzysztof Loska
This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema; gendered controversies in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film.
10. To be or not to be yourself: Turkish diaspora and the foreign land – stereotypes, nation and (hetero)norms (Bartłomiej Nowak)
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10. To be or not to be yourself: Turkish diaspora and the foreign land – stereotypes, nation and (hetero)norms
Abstract: The author analyses a few films of the German-Turkish and Austrian-Turkish cinema directed by Fatih Akın, Kutluğ Ataman and Umut Dag. He’s interested in the functioning of the Turkish diaspora in the German-language societies of the West, and in topics of cultural differences, gender, sexual identity and changes of the forms of traditional Turkish family.
Discussing such problems as honour killings, patriarchalism and homophobia of Muslim diasporas, he tries to answer the question if diasporic cinema is able to change stereotypical perception of the ethnic minorities. Can it play with the meaning of such concepts as “family” and “nation”?
Keywords: German-Turkish, Austrian-Turkish cinema, gender, sexual orientation, stereotypes, identity
In this short chapter, I will analyse a few films directed by Fatih Akın, Kutluğ Ataman and Umut Dag dealing with the functioning of the Turkish diaspora in the German-language societies of the West. I’ll try to answer the question if diasporic cinema can change stereotypical perception of the ethnic minorities and redefine categories of “family” and “nation.”
Films such as Akın’s The Edge of Heaven (Auf der anderen Seite, 2007), Ataman’s Lola + Bilidikid (Lola and Billy the Kid, 1999) and Dag’s Kuma (2012) show that “clash of civilisations” should not be perceived in...
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