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Crossing, Trespassing, and Subverting Borders in Chicana Writing

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Debora Holler

The border and border-crossing and its significance for the Chicana in a cultural, social, gendered, and spiritual sense are at the core of this book. The three oeuvres selected—Helena Viramontes’ The Moths and Other Stories, Ana Castillo’s The Mixquiahuala Letters, and Norma Cantú’s Canícula: Snapshots of a Girlhood en la Frontera—are eloquent examples of feminist Chicana writers who refuse to allow their lives to be restricted by the gender, social, racial, and cultural border and who portray how Chicana women rebel against the unfair treatment they receive from their fathers, husbands and lovers. Crossing and deconstructing the man-made borders means to leave behind the known territory and discover an unknown land, in the hope of finding a new world in which Chicana women have the same rights as white women and in which they can realize their self, develop a new mestiza consciousness and liberate themselves from patriarchal constraints and religious beliefs. The author shows how the newly won self-confidence empowers the Chicana to explore the opportunities this freedom offers.

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Contents

Contents

Extract

Illustrations

Introduction

Method and Strategy

Structure

1 Background to Chicano/a Literature

1.1 Historical, Political and Cultural Background of the U.S.-Mexican Borderlands

1.2 Chicano/a Culture and Literature: A Survey

1.3 Classification of the Chicano Literary Canon within the American Literary Canon

1.4 Contemporary Chicana Literature

2 Border Theories and Realities

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