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Don Giovanni’s Reasons: Thoughts on a masterpiece

Felicity Baker and Magnus Tessing Schneider

Although Mozart’s Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte’s libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture’s myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today.

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Abbate, Carolyn 13–14

Adorno, Theodor W. 118

Alfieri, Vittorio 21, 63

Alighieri, Dante 11, 20–26, 42, 82, 84, 97, 100, 103, 105, 155

Allanbrook, Wye Jamison 89, 98, 154

Andrés, Juan 24

Anthony (prince of Saxony) 17

Arbore di Diana, L' 17, 20, 65–78, 183

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