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Political Music

Legitimization and Contestation

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Edited By Tomasz Bichta and Anna Szwed-Walczak

In the 12 chapters of this book the authors argue for the universal presence of music in public space and social relations. The examples of American, British, Hungarian, Polish and Russian music serve to elucidate two functions of political music, that of legitimizing and contesting political power. Both satirical songs with their ironic commentary on specific events and people as well as protest songs undermining the system corroborate the universal character of the legitimizing and delegitimizing function of music. The book is addressed to readers interested in countercultural movements and politically engaged music, especially to students of political studies, sociology and cultural studies.

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Contents

Contents

Extract

Tomasz Bichta & Anna Szwed-Walczak

Introduction

Wojciech Sokół

The Legitimizing and Delegitimizing Function of Political Music: Selected Aspects

Krystyna Leszczyńska

The Political Consequences of Media Popularity for the Rock Singer Krzysztof Cugowski

Krystsina Kostseva

Affiliating with the Russian Shanson: The Culture of Protest or the Propaganda of an Oppressive Power?

Tomasz Koziełło

The Cabaret Song’s Contribution to the Analysis of Socio-Political Realities of the Third Republic of Poland

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