Novel, Screenplay(s) and Film
The initial version of this study was presented as a master’s thesis at RWTH Aachen University in January 2009. I would like to thank my supervisor, Prof. Dr. Ludwig Deringer, for supporting me from the very beginning of this study and for suggesting its publication. I also owe special thanks to Prof. Dr. Geoffrey V. Davis who introduced me to both the novel and the film Black Robe. Without his hint about the hitherto unstudied material at the Harry Ransom Humanities Research Center I would never have undertaken this project. I wish to thank the Harry Ransom Humanities Research Center, The University of Texas at Austin, for allowing me to use and quote the Brian Moore Papers. Many thanks go to Sue Milliken of Samson Productions, Moore Park, Australia, for permission to quote from the unpublished screenplays and film notes. I should further like to thank Birgit Haupt for granting me permission to quote from her unpublished thesis. Since permission to quote from Brian Moore’s diaries was unfortunately not given, some information especially on the pre-production process could not be used in this thesis. Moreover, I wish to thank the Gesellschaft für Kanada-Studien e.V. for their grant towards the printing of this thesis. Finally, I thank Markus Oesterle – for everything.
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