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Systematic Musicology: Empirical and Theoretical Studies

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Edited By Albrecht Schneider and Arne von Ruschkowski

This volume contains articles most of which present empirical studies in the field of systematic musicology. Contributions in particular deal with aspects of melody including modeling and computer-assisted analysis as well as with various issues in sound and music perception, musical acoustics and psychoacoustics. Topics range from loudness perception in ‘Techno’ music to sound radiation in classical singing styles, and from timbre research to wave field synthesis and room acoustics. One focus of this volume is on pop and rock music, another is on ethno and folk music. In addition to empirical investigations, theoretical and methodological issues are addressed including some fundamental concepts in ethnomusicology and folk music scholarship.

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Bader, Rolf 2005. Computational Mechanics of the Classical Guitar. Berlin: Springer. Bader, Rolf (ed.) 2009. Musical Acoustics, Neurocognition and Psychology of Music. Current Research in Systematic Musicology at the Institute of Musicology, University of Hamburg. (=Hamburger Jahrbuch für Musikwissenschaft 25). Frankburt/M. etc.: P. Lang. Barker, Andrew 2007. The Science of Harmonics in Classical Greece. Cambridge: Univ. Pr. Benson, Dave 2006.Music: a mathematical Offering. Cambridge: Cambridge Univ. Pr. Boring, Edwin 1950. A History of Experimental Psychology. 2nd ed. Englewood Cliffs, N.J.: Prentice – Hall. Bortz, Jürgen 1984. Lehrbuch der empirischen Forschung. Berlin (etc.): Springer. Botterill, George, Peter Carruthers 1999. The Philosophy of Psychology. Cambridge: Univ. Pr. Bregman, Albert 1990. Auditory Scene Analysis. The Perceptual Organization of Sound. Cambridge, MA: MIT Pr. Brentano, Franz von 1874. Psychologie vom empirischen Standpunkt. Bd 1. Leipzig: Duncker & Humblot. Cannon, John, Sigalia Dostrovsky 1981. The Evolution of Dynamics: Vibration Theory from 1687 to 1742. New York: Springer. Clynes, Manfred 1995. Microstructural musical linguistics: composer's pulses are liked most by the best musicians. Cognition 55, 269-310. Cogan, Robert, Pozzi Escot 1976. Sonic Design: The Nature of Sound and Music. Englewood Cliffs, N.J.: Prentice-Hall. Cohen, H. Floris 1984. Quantifying Music. The Science of Music at the First Stage of the Scientific Revolution, 1580-1650. Dordrecht, Boston: Reidel. De Boer, Egbert 1976. On the "Residue" and Auditory Pitch Perception. In W.D. Keidel & W.D. Neff (eds.). Handbook of Sensory Physiology. Vol. V,3. Berlin, New York: Springer, 479-583. Deliège, Irène, Geraint Wiggins (eds.) 2006. Musical Creativity. Multidisciplinary Research...

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