Show Less


The Preludes and Beyond

Bengt Edlund

The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights into Chopin’s composition method. These intertextual findings are used in an attempt to establish the extra-musical content of the Second Ballade. Five preludes – A minor, E minor, B minor, A major and C minor – are closely examined, using diverse analytical approaches. A primary concern is to critically assess previous readings, and Schenkerian ones in particular. An analysis of the initial right-hand passage of the F-minor étude from Méthode brings up matters of idiomatic and ontology.


Show Summary Details
Restricted access



Agawu, Kofi, “Ambiguity in Tonal Music: A Preliminary Study”, in Anthony Pople (ed.) Theory, Analysis, and Meaning in Music, Cambridge University Press 1994 Ayrey, Graig, “Universe of Particulars: Subotnick, Deconstruction, and Chopin”, Music Analysis 17(1998), 339-381 Beach, David, “The Analytic Process: A Practical Demonstration. The Opening Theme from Beethoven’s Op. 26”, Journal o f Music Theory Pedagogy 3(1989), 25-46 Bellman, Jonathan, Chopin’s Ballade Op. 38 as Narrative o f National Martyrdom, Oxford University Press 2009 Burkhart, Charles, contribution in Thomas Higgins (ed.) Chopin: Preludes, Op. 28. An authoritative Score, Historical Back­ ground, Analysis, Views and Comments, New York 1973, Norton Critical Scores Cone, Edward T., Musical Form and Musical Performance, New York 1968 Cook, Nicholas, A Guide to Musical Analysis, London 1987 Cook, Nicholas, “The Perception of Large-Scale Tonal Closure”, Music Perception 5(1987), 197-206 Cooper, Grosvenor & Leonard B. Meyer, The Rhythmic Structure o f Music, Chicago University Press 1960 Desola, Jordi, “New Research about Diseases Suffered by Fryderyk Chopin”, paper presented at The third International Congress Chopin 1810-2010, Warsaw 2010 Drabkin, William, “Schenker, the Consonant Passing Note, and the First-Movement Theme of Beethoven’s Sonata Op. 26”, Music Analysis 15(1996), 149-189 527 Edlund, Bengt, “A Comprehensive Approach to Musical Idio- matics” (unpubl.) Edlund, Bengt, “Analysis and Interpretation” (unpubl.) Edlund, Bengt, “Chopin’s A-major Prelude. Une pièce résistante” in Analytical Perspectives on the Music o f Chopin (conference report) ed. Artur Sxklener, Warszawa 2003, pp.167-183 Edlund, Bengt, “Disciplining Reduction and Tonalizing Inter­ pretation” (unpubl.) Edlund, Bengt, “In...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.