IMAGES (V) – Images of (Cultural) Values
The Conference Proceedings
Edited By Veronika Bernard
Book (EPUB)
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- 978-3-653-95841-6
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- Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2016. 199 pp., 14 b/w fig.
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
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Veronika Bernard
Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
Abstract In recent years Istanbul’s Beyoğlu district has increasingly become a place of graffiti art. This article discusses the cultural implications becoming manifest in Beyoğlu’s İstiklal Caddesi graffiti by reading them as images commenting on a society’s (cultural) values and being informed by them.
Während der letzten Jahre hat sich der Istanbuler Stadtteil Beyoğlu zu einem Graffiti-Ort entwickelt. Dieser Artikel diskutiert die kulturellen Implikationen jener Graffiti, die entlang der durch Beyoğlu führenden İstiklal Caddesi anzutreffen sind und liest sie dabei als Kommentare zu den Werten jener Gesellschaft, die sie hervorgebracht hat.
1 The Changing Face of a Street
Having been a regular visitor to Istanbul for about a decade now, the first thing the author does with each of her stays is to take a stroll from Istanbul’s central Taksim square down İstiklal caddesi1, to see what is new in the quarter. While it was the reconstruction work on the street ahead of the Istanbul 2010 European culture activities and the impossible-to-ignore increase in tourist crowds (and the street traders following them) during 2009 and 2010 that caught her attention; it turned to be the jump in an increasingly wakening civil society’s political protest, and the sharp increase in murals in 2012–2015. Some of the murals being visible to early-bird or small hours...
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Or login to access all content.- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors