Traditions – Influences – Identities- Proceedings of the International Musicological Conference- July 4–7 2013, Iaşi (Romania)
The Requiem Genre in the Romanian Composers Output of the 20th Century
Petronela AndrieşDepartment of Theoretical Music Studies“George Enescu” University of Arts IaşiStr. Horia, IaşiROMANIApetronelaandries@yahoo.it
This study materializes in an analytical review embroidered around structural features and aesthetic history of religious music semantic funereal character, born in the romanian area during the modern era. The adhesion to the subject named The Requiem Genre in Romanian Composers Output of the 20th Century, is justified by the valuable contributions of many of Romanian composers who devoted religious creation in this segment time brought them for perpetuating a genre that has evolved over time continuously and became emblematic to the musical culture of 20th century. In order to sensible information theoretical arguments associated with this issue, we transplanted discursive thread in the exact plan of funeral music composers imagined by Nicolae Bretan, Marţian Negrea, Sabin Drăgoi, Zeno Vancea, Max Eisikovits, Myriam Marbé, Ştefan Niculescu, Gheorghe Ştefănescu, Eduard Terényi, Valentin Timaru or Wilhelm Georg Berger, by whose progress we can highlight those who given specific emotional contexts symbolic and semantic system proved by quoted authors for the achievement of operas truly representative of the Romanian tradition of religious music as well as Western tradition millennial genre requiem.
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.