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Eastern European Studies in Musicology

Editors: Maciej Gołąb

This publication series was established with the aim of spreading the leading achievements of Polish, Central and Eastern European musicologists active in various fields of musicology. These fields include music history and musical traditions, ethnomusicology and musical anthropology, as well as music sociology, aesthetics and philosophy. The series will feature different genres: monographic works, collections of essays, articles and dissertations by a single author, as well as collective works and scientific conference proceedings.
The editorial team will be working not only with renowned scholars but also young post-doctoral authors. Authors who arrive at music from different fields of the humanities in the context of interdisciplinary studies are also encouraged.

This publication series was established with the aim of spreading the leading achievements of Polish, Central and Eastern European musicologists active in various fields of musicology. These fields include music history and musical traditions, ethnomusicology and musical anthropology, as well as music sociology, aesthetics and philosophy. The series will feature different genres: monographic works, collections of essays, articles and dissertations by a single author, as well as collective works and scientific conference proceedings.
The editorial team will be working not only with renowned scholars but also young post-doctoral authors. Authors who arrive at music from different fields of the humanities in the context of interdisciplinary studies are also encouraged.

This publication series was established with the aim of spreading the leading achievements of Polish, Central and Eastern European musicologists active in various fields of musicology. These fields include music history and musical traditions, ethnomusicology and musical anthropology, as well as music sociology, aesthetics and philosophy. The series will feature different genres: monographic works, collections of essays, articles and dissertations by a single author, as well as collective works and scientific conference proceedings.
The editorial team will be working not only with renowned scholars but also young post-doctoral authors. Authors who arrive at music from different fields of the humanities in the context of interdisciplinary studies are also encouraged.

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