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Studi Pergolesiani- Pergolesi Studies

by Claudio Bacciagaluppi (Volume editor) Hans-Günter Ottenberg (Volume editor) Luca Zoppelli (Volume editor)
©2012 Conference proceedings 520 Pages

Summary

La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall’Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo.
Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi’s such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.

Details

Pages
520
Year
2012
ISBN (PDF)
9783035105230
ISBN (Softcover)
9783034312066
DOI
10.3726/978-3-0351-0523-0
Language
English
Publication date
2013 (April)
Keywords
partiture opere famiglie nobiliari musica napoletana
Published
Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2012. 520 p., 3 ill.

Biographical notes

Claudio Bacciagaluppi (Volume editor) Hans-Günter Ottenberg (Volume editor) Luca Zoppelli (Volume editor)

Claudio Bacciagaluppi è assistente di ricerca a Friburgo e lavora per RISM Svizzera. Si occupa di musica sacra del Sei e Settecento, a Napoli e nella regione alpina. Hans-Günter Ottenberg, dopo aver ottenuto il dottorato alla Humboldt-Universität Berlin e la ‘Habilitation’ all’Università di Halle-Wittenberg, dal 1993 è professore di musicologia alla Technische Universität Dresden. Le sue ricerce vertono sulla storia della musica nel XVIII secolo, la storia della critica musicale e la storia sociale della musica. Particolare interesse rivestono Carl Philipp Emanuel Bach, e la storia musicale di Dresda e Berlino. Professore all’Università di Friburgo, Luca Zoppelli ha studiato l’estetica musicale dell’Europa nell’ancien régime, la drammaturgia del teatro musicale in generale, l’opera del XIX secolo, vista in prospettiva comparatistica. Co-direttore dell’edizione critica delle opere di Bellini, dirige l’Annuario svizzero di musicologia e la serie Musik aus Schweizer Klöstern. Ha curato le edizioni critiche di Maria di Rohan (Donizetti) e de La sonnambula (Bellini). Claudio Bacciagaluppi is research assistant at Fribourg and works for the Swiss RISM office. His main focus is on sacred music in the 17th and 18th centuries, both in Naples and in the Alpine region. Hans-Günter Ottenberg has been professor of musicology at the Technische Universität Dresden since 1993, after obtaining his DPhil ad the Humboldt-Universität Berlin and his ‘Habilitation’ in Halle-Wittenberg. His research centres on music history of the 18th century, history of music criticism, and social history of music. His interests focus particularly on Carl Philipp Emanuel Bach and musical history of Dresden and Berlin. Luca Zoppelli is professor at Fribourg University. He studies musical aesthetics in ancien régime Europe, musical theatre dramaturgy in general, and opera in the 19th century in comparative perspective. Co-director of the critical edition of Bellini, he is editor of the Swiss musicological yearbook and of the series Musik aus Schweizer Klöstern. He published the critical editions of Maria di Rohan (Donizetti) and La Sonnambula (Bellini).

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520 pages