The history of
The Book of Margery Kempe from its first production in 1934 is also part of the history of English literary studies. Marea Mitchell traces some of the fascinating stories behind the proliferation of productions since then, including the involvement of Hope Emily Allen and other independent women scholars, popular receptions of the Book in World War II, and current productions that locate it as part of a medieval literary canon. Working from a cultural materialist perspective, Mitchell focuses on the materiality of the text itself and of the bodies of scholarship that have arisen around it.
New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2005. XIV, 157 pp., 3 ill.
The Author: Marea Mitchell is Senior Lecturer in the Department of English at Macquarie University in New South Wales, Australia.
She completed her D.Phil. at the University of Sussex, United Kingdom. She has published editions of Beaumont and Fletcher’s
Love’s Cure and Anne Weamys’s continuation of Sir Philip Sidney’s Arcadia, as well as a number of articles in
professional journals. Dr. Mitchell is currently working on a study of romance literature.