This wide-ranging and provocative study focuses on the importance of the mother in the genealogical and social frameworks of the Old French and Occitan
chanson de geste. The masculine dominance of these narratives of warfare and conflict is questioned, reassessed, and redefined, as the complexity and significance of the maternal character is revealed through the study of a contrasting range of epic texts, with
Raoul de Cambrai providing a key focus.
The study draws upon medieval theological and scientific doctrine and modern psychoanalytic and feminist theory, especially the works of Luce Irigaray, Julia Kristeva, and Jaques Lacan, to illuminate the tensions and ambiguities consistently inherent in the perception of the mother and the maternal body.
Authority, continuation, violence, and death are key topics, revealing the problematic nature of gender roles and their relation to the structures of power that shape both medieval society and epic narrative.
Oxford, Bern, Berlin, Bruxelles, Frankfurt/M., New York, Wien, 2003. 292 pp.
Contents: The influence of contemporary histoire des mentalités on the depiction of the maternal in 12th-
and 13th-century French and Occitan chansons de geste – The depiction of paternal and maternal gender roles
and their relative significance in the genealogical matrix of the chansons – Key texts are La Naissance du Chevalier
au Cygne, Berte as grans piés, Ami et Amile, Raoul de Cambrai, and Daurel et Beton.