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Teaching with Disney


Edited By Julie C. Garlen and Jennifer A. Sandlin

Teaching with Disney, the first comprehensive volume on Disney as cultural pedagogy and classroom praxis, explores what it means to teach, learn, and live in a world where many familiar discourses are dominated by The Walt Disney Company. The book analyzes the ways in which the powerful messages of Disney shape the way we teach and learn. Featuring scholars from a wide range of educational contexts, including educational foundations, art education, higher education, K-12 contexts, adult education, media literacy, critical pedagogy, and curriculum studies, this book is accessible and interesting to a global audience of educational researchers and practitioners as well as undergraduate and graduate students in educational foundations, curriculum and instruction, curriculum theory, critical media education, art education, sociology of education, and related fields. Discussion questions are provided for each chapter to help facilitate class discussions and assignments. This is an excellent assignment text for education classrooms.


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Part Three: Teaching Consumers


Teaching Consumers p a r t t h r e e Yes, I will admit it. I was a proud member of the Mickey Mouse Club. I had a Mickey Mouse Membership pin, Mouseketeer ears, and a Mouseketeer Member t-shirt. I was, indeed, a card-carrying member. The Mickey Mouse Club was on television weekdays from 1955–1959 and then in syndication from 1962–1968. I was happy to belong to the club. Bauman (2000) comments on this feeling of wanting to belong that is so often tied to consuming: Inside their temples the shoppers/consumers may find moreover, what they zealously, yet in vain, seek outside: the comforting feeling of belonging—the reassuring feeling of being part of a community. (p. 99) The original series featured a memorable all-white cast. Jimmy Dodd, who wrote the theme song (Dodd, 1955), was the host and head Mouseketeer. He spoke words of inspiration and morality to eager young viewers. Big Roy, whom Walt Disney apparently picked for the show because he was big and funny looking, was the adult Mouseketeer. Among the most memorable Mouseketeers were Annette Funicello, who went on to become a beach icon in films with Frankie Avalon, Cubby O’Brien, who became a drummer for the Carpenters, and Bobbie Burgess, who later danced his way to fame on the Lawrence Welk Show. Most of the profits from the Mickey Mouse Club went into funding the development of Disneyland. In the 1950s, Disney also produced the television program, Disneyland, which had the...

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