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Errant Letters: Jacques Rancière and the Philosophy of Literature

by Jerzy Franczak (Author)
©2023 Monographs 340 Pages
Series: Cross-Roads, Volume 32

Summary

Jerzy Franczak comprehensively presents Jacques Rancière’s thought by emphasizing the relationship between politics and literature. This detailed analysis takes into account the context of modern aesthetics and political philosophy, as a result, the book introduces further protagonists such as Louis Althusser, Michel Foucault, Pierre Bourdieu, or Jean-François Lyotard. Franczak first reconstructs Rancière’s original philosophy of literature and subsequently apply it in readings of select world literature masterpieces by Gustav Flaubert, Max Jacob, Bertold Brecht, Vladimir Nabokov, and Philip Roth.

Table Of Contents

  • Cover
  • Title
  • Copyright
  • About the author
  • About the book
  • This eBook can be cited
  • Table of Contents
  • Abbreviations
  • Rancière: Montages
  • L’indiscipliné
  • Patricide
  • The Event
  • Logic Revolts
  • Map of the Possible
  • I The Aesthetic Revolution
  • Emma’s Crime
  • Liberty, Equality, Indifference
  • Literature, Medicine, Democracy
  • Regimes of Art
  • A Positive Contradiction
  • Mute Word
  • Democratic Form
  • False Historicizations
  • The Aesthetic Unconscious
  • II Slicing the World
  • The Beggar of Naples
  • Sensible
  • The Aesthetic State
  • The Sublime
  • Police and Politics
  • White and White
  • Consensual Times
  • III Scandal!
  • Annulling Politics
  • Counterlives
  • À la Recherche du Peuple Perdu
  • Non Sumus, Non Existumus
  • The Nights of Labor
  • The Incalculable
  • IV Vicious Circle
  • The Platonic Lie
  • Parmenidean Marxism
  • In the Belly of the Beast
  • Poetics of Knowledge
  • Paradox of the Spectator
  • V Exercises in Freedom
  • The Ignorant Schoolmaster
  • Glory To Thieves!
  • A Literary Animal
  • The Spectacle of the Scaffold
  • Opening
  • Bibliography
  • Index
  • Series index

Abbreviations

Whenever possible, I use English translations of Jacques Rancière’s books, leaving references to the French texts when they are not translated or show significant discrepancies between the original versions and the available translations. Below, I list the abbreviations of Rancière’s works that I use throughout this publication.

A

Aisthesis: Scenes from the Aesthetic Regime of Art

AD

Aesthetics and Its Discontents

AL

Althusser’s Lesson

AU

The Aesthetic Unconscious

CT

Chronicles of Consensual Time

D

Disagreement: Politics and Philosophy

DOP

Dissensus: On Politics and Aesthetics

EQT

En quel temps vivons-nous? Conversation avec Eric Hazan

ES

The Emancipated Spectator

ETP

Et tant pis pour les gens fatigués. Entretiens

FI

The Future of the Image

FPA

“From Politics to Aesthetics?”

FW

The Flesh of Words: The Politics of Writing

HD

Hatred of Democracy

IS

The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation

LT

The Lost Thread: The Democracy of Modern Fiction

MDS

La méthode de la scène

ME

Malaise dans l’esthétique

MOE

The Method of Equality: Interviews with Laurent Jeanpierre and Dork Zabunyan

MP

Moments politiques: Interventions 19772009 [French edition]

MPS

Mallarmé: The Politics of the Siren

MS

Mute Speech: Literature, Critical Theory, and Politics

MT

Les mots et les torts: Dialogue avec Javier Bassas

NL

The Nights of Labor

NoH

The Names of History: On the Poetics of Knowledge

OS

On the Shores of Politics

PdL

Politique de la litterature

PhP

The Philosopher and His Poor

POA

The Politics of Aesthetics

SP

Les Scènes du Peuple (Les Révoltes logiques, 1975/1985)

WE

“Why Emma Bovary Had to Be Killed”

Rancière: Montages

I write to shatter the boundaries that separate specialists – of philosophy, art, social sciences, etc. I write for those who are also trying to tear down the walls between specialties and competences.

– Jacques Rancière in conversation with Fulvia Carnevale and John Kelsey1

L’indiscipliné

We may consider Jacques Rancière’s oeuvre – comprising dozens of books, articles, and interviews – from the perspective of irreducible diversity. Of course, it is difficult to establish an unproblematic bond between commentaries on the writings of nineteenth-century French revolutionaries, the philosophical tale of Joseph Jacotot, political treatises divided into theses, divagations on the theory of historiography, passionate polemical attacks on contemporary critical thought, ad-hoc publicist interventions, and systematic interpretations of canonical works of contemporary art and literature. At first glance, we notice the multiplicity of problematic fields, the variability of discursive techniques, the relentless conceptual work, and – at the metatheoretical level – the constant examination of the practical effectiveness of the terms and concepts collected in his “toolbox.”

Attempts at a comprehensive approach to Rancière’s philosophy usually presuppose making this heterogeneity more familiar. The simplest model is based on temporalization: by combining a bibliography with a biography projected onto a historical background, one may identify moments of rupture and draw lines of continuity to construct a narrative on the evolution of beliefs and the transformation of the conceptual system. I will make such an attempt in this introductory chapter, which aims to present Rancière and situate his most important works in the epoch’s context. However, I admit that I am more interested in a different kind of profound unity of this work. Every book by Rancière remains an “intervention in a specific context,”2 following the Latin etymology of the word, which means “entry in-between.” We may understand the intervention as entering various disputes as a third party, an attempt to reformulate a controversy and shift a conflict. Each of these interventions occurs in a space divided into specific domains governed by their respective competences. First of all, these domains are scientific disciplines, which not only define their method but also their object of research, regulating the relations between the object and the conditions of its comprehensibility. However, there are also other fields, not necessarily connected with the authority of science – like political journalism or literary criticism – in which there is also a specific discipline defining the relations between being, thought, and words, or an orthology, namely a norm of speaking that supports orthodoxy by defining what one may say or think.3 Rancière emphasizes that all of his conceptual inventions are “paths between different fields that allow to suspend legitimations of power tied to how these fields are circumscribed and to lend the rights of this power to an intelligence without privilege” (MP 154).4

Therefore, changeability and diversity are a function of a single imperative: to escape the rule of discipline, to operate in the space of institutional and discursive indeterminacy. Rancière remains a purposely interdisciplinary or indisciplinary5 philosopher. However, this does not mean he praises methodological anarchism. On the contrary, he tries to establish his method, in which thinking (penser) would always be reconsidering (repenser), and the conceptual elaboration of an object would move it from its usual place of appearance, subjecting it to changes in discursive registers, systems of reference, and temporal coordinates (ETP 182). Rancière follows Deleuze’s maxim that philosophy is based neither on communication nor on contemplation but on discovering concepts, and that it is precisely the creation of concepts. They should have “a necessity, as well as an unfamiliarity,” that distinguishes thought from ordinary opinion and gives it its revolutionary character.6

We see the genesis of Rancière’s indisciplinarity in the historical circumstances which influenced his intellectual formation (Althusser’s school, May 68). I will occasionally reach for such explanations, but my ambition remains to present Rancière’s aesthetic and political theory as a whole, which gains coherence based on a “dialectical montage.” We may characterize its specificity as follows:

The dialectical way invests chaotic power in the creation of little machineries of the heterogenous. By fragmenting continuums and distancing terms that call for each other, or, conversely, by assimilating heterogenous elements and combining incompatible things, it creates clashes. And it makes the clashes thus developed small measuring tools, conducive to revealing a disruptive power of community, which itself establishes another term of measurement (FI 56).

Rancière willingly uses the effects of montage, in both of the models presented – tearing apart conceptual adhesions, distancing or displacing the elements of the opposition, and linking together what we spontaneously treat as different. This is evident on all levels, from proof techniques and the famous “arguments from juxtaposition” – most spectacular in The Philosopher and His Poor – to the non-obvious yet undeniable connectivity of subsequent works.

The specific “unity in multiplicity” of Rancière’s legacy is determined by the constant setting in motion of two procedures: the problematization of authority (of a philosopher, intellectual, pedagogue) and the pursuit of the rights of “unprivileged intellect” recognized neither by conservative supporters of traditional hierarchies nor by progressive defenders of the disinherited. Rancière examines systems of voice distribution that always involve some form of exclusion and seeks a position that would allow for the development of critical reflection beyond the principle of authority and the relations of domination. Therefore, Rancière rejects the tradition of suspicious thought, which has developed numerous techniques of subversion, namely of turning reality into an illusion or vice versa. “Where one searches for the hidden beneath the apparent, a position of mastery is established” (POA 49). All symptomatology reinforces the philosopher’s power and nullifies any emancipatory promise, even if the latter is declared expressis verbis. It causes social and artistic phenomena to be treated in terms of camouflage, thus establishing a division between those who can see through the game of appearances and those who succumb to it.

How to deconstruct the logic of mastery/mastership (maître/maîtrise) that is maintained by demystification? Rancière replies: one must weaken the vertical relationship (surface/depth) and refine thinking in terms of horizontal distributions (POA 465). One must reject the dialectics of truth and semblance and focus on analyzing the distribution of the sensible. One must discover how the sensible configures itself in encounters of police and politics.

Patricide

In 1961, twenty-one-year-old Jacques Rancière enrolled in Louis Althusser’s seminar. Four years later, Rancière was listed as co-author (with Étienne Balibar, Roger Establet, and Pierre Macherey) of Reading Capital, the most famous attempt to reformulate Marxist political theory in the spirit of structuralism. The year 1974 saw the publication of Rancière’s La Leçon d’Althusser, a frontal critique of the master’s formalist method, doctrinairism, and anointed priesthood. Thus, we may perceive the 1960s as a period of “struggle against the influence,” liberation from intellectual dependence culminating in an act of ritual patricide.7

How was Althusser attractive to a whole generation of leftist intellectuals? First, his rigorous method brought the promise of a break with the humanist and Sartrean interpretation of Marx. Following the spirit of the times, Althusser’s method transformed Marxism into a theory of form8 under the banner of neo-scientism. Second, this maneuver gave hope to regain Marx. It was all about returning to the source and establishing the foundation for a new political battle. By the 1960s, it had become clear that the Soviet Union was a repressive police state. Khrushchev’s denunciation of the ideological and political errors of the “cult of personality” period could not be accepted in good faith as a declaration of a new beginning. After the 20th Congress of the Communist Party of the Soviet Union – and recent events such as the Hungarian Revolution in 1956, the Algier War in 1954–1962, the construction of the Berlin Wall in 1961, the Vietnam War developments of 1965, and the Cultural Revolution in China in 1966 – all those who believed in the revolutionary potential of communism had to face a double crisis of legitimation. First, it had to be made clear that the deviating superstructure corresponded to a “correct base.”9 Second, there was a need to return to Marx’s writings to find explanations for these aberrations and salvage the emancipatory potential of materialist dialectics.10 Althusser’s ambition was “to think Marx in his historical context to allow us to implement Marxism in ours” (AL 111).

Rancière’s analysis in Reading Capital is orthodoxly Althusserian in its character. It begins with a diagnosis of an epistemological break in Marx work that separates the early, humanistic stage from the subsequent, scientific one,11 and then develops an analysis of commodity fetishism. Rancière demonstrates that there is no such thing as the real value of the commodity, inherent in the object and abstracted from the context of social production, since all value is inscribed in the economic and social structure, and as such remains a “metonimical manifestation of structure.”12 Finally, Rancière postulates that the usual fetishistic perception, which reduces the complex whole to the feature of an object, should be contrasted with a strictly scientistic method of studying social and economic phenomena. Published a decade later, Althusser’s Lesson targets the method’s scientistic profile. The explicit goal of Althusserianism was to free Marxism from the authority of the Communist Party, while the implicit goal (which does not mean it was assumed in bad faith but simply implied by a particular conceptual game) was to reassure intellectuals of their crucial role in history seen as an emancipatory process. For Rancière, Althusserianism remained the model “discourse of order” (AL 113), all the more dangerous for its use of subversive vocabulary.

Graduating from the school of formalist thinking was Rancière’s basic formative experience. One could say that Rancière abandoned his maître savant and headed out in search of the maître ignorant, only to find him in the emblematic figures of Jacotot or Gauny. However, despite repeated gestures of negation, Althusser’s legacy became a permanent part of Rancière’s work. Its presence could be narrowed down to four points: (1) opposition to Marxism as a technique of economic reductionism, the tendency to marginalize market factors and focus on the contradictions of the superstructure, in other words, the conviction that the economic dialectic never occurs in a pure state and “the lonely hour of the ‘last instance’ never comes;”13 (2) paradoxical promise of “theoretical practice,” the concept of philosophizing as an engagement in battle; (3) indisciplinarity understood as attempts to “displace philosophy;” (4) the declarative style of philosophizing, consisting in “presenting theses.”14 The consequences of radical opposition and above all the rejection of the thesis that historical illusions require philosophical intervention seem equally important (AL 23). Young Rancière grew in opposition to the insistent maintenance of the leading role of intellectuals and the denial of all value to labor thought:

Without the efforts of intellectual workers there could be no theoretical tradition (in history or philosophy) in the workers’ movement … on the one hand, the “spontaneous” ideology of the workers, if left to itself, could only produce utopian socialism, trade-unionism, anarchism and anarcho-syndicalism; on the other hand, Marxist socialism, presupposing as it does the massive theoretical labor of the establishment and development of a science and a philosophy without precedent, could only be the work of men with a thorough historical, scientific and philosophical formation, intellectuals of very high quality.15

In an initial impulse of defiance, Rancière turned away from political theory and dived into the archives of the labor movement. He decided to search for original thought in the pamphlets and proclamations, diaries, and private correspondence of revolted proletarians. Thus, Rancière not only dodged the blackmail of scientificity established by Althusser but also defused the simplistic dichotomy already present in Marx’s writings: on the one hand, the idealized vision of the proletariat and, on the other hand, the caricatured image of contemporary workers’ activists. Rancière shiftes his focus to the question of individual subjectivity, metaphorically illustrated by the very title of the book that resulted from this search – La Nuit des prolétaires. Archives du rêve ouvrier (The Nights of Labor: The Workers’ Dream in Nineteenth- Century France; 1981) – which focuses on the nights when workers read, wrote, educated themselves, and dreamed, instead of sleeping. Moreover, Rancière valorizes all forms of communal projects that orthodox Marxists discarded, such as Saint-Simonianism, which combined egalitarian reform with exuberant mysticism.

The decade-long struggle against the influence of the maître savant entered a decisive stage in May 1968 when the events in Paris brought a chance to delegitimize scientific discourse and open a new field of possibilities.

The Event

In the scientistic order, an event remains a surface effect: it gains meaning only in relation to the structure that determines it. Many intellectuals have tried to reduce the youth revolt to a source determinant or a set of determinants. Sociologists such as Raymond Aron argued that young people rebel because it is the law of youth, besides, universities are overcrowded, so students resemble “rats or other animals, forced to live at an excessive density, in a confined space.”16 Communist intellectuals like Althusser denied the riots a subversive character, because they believed there can be no revolutionary action without a revolutionary theory. Therefore, they all assumed the role of the police, assuring that “nothing happened, nothing changed, there is nothing to see.”17 Let us recall the indictment of Althusser’s Lesson, this all aimed at strengthening their position in accordance with the principle that the transmission of scientific knowledge – accessible to the few – is the remedy for the ignorance of the masses and the precondition of truly revolutionary action. However, unexpectedly, the student revolt taught the older generation of intellectuals a lesson: “cut off from revolutionary practice, there is no revolutionary theory that is not transformed into its opposite” (AL 154). Rancière realized that the whole system of knowledge transmission is based on the assumption that the little ones need a guide to lead them out of the darkness of ignorance: intellectuals must renew this assumption by fashioning themselves as sages and describing the masses as addled by the prevailing ideology.

The essential point of reference remains the generational experience of les soixante-huitards, namely the discovery of the gap between Marxist theory and real emancipation forms. Les soixante-huitards witnessed the negation of the traditional explicative model, according to which the task of the progressive intellectual is to know the mechanisms of the social system in and out and explain them to those who suffer from its inequalities to arm them for battle. As a result of this negation, a different approach was born, that is, one based on the “search for sources:” one must despise the abstract knowledge of philosophers and preachers and reconcile with simple people to recognize social injustice from pure, unmediated experience. Rancière quickly noticed that these two models formed a non-alternative system, based on the mutual blackmail of truth and political efficiency (ES 18). Neither of these propositions was convincing to him.

In a famous essay by Luc Ferry and Alain Renaut, La pensée 68, all revolutionary thought produced in the 1960s appears as an intellectual and rhetorical aberration. Ferry and Renaut fashion a philosophical constellation in which they place Foucault, Althusser, Derrida, Deleuze, Lacan, and Bourdieu, and then characterize it in terms of anti-humanism, which is to accuse traditional humanism of becoming an accomplice to oppression, with totalitarianism always looming on the horizon. Ferry and Renaut discover common features in the intellectual structure of the 1960s: the reign of the end time theme and the paradigm of genealogy, the destruction of the idea of truth, the historicization of concepts, the end of references to universality, and action brought against the subject. The thought of 1968 even has its own style with a characteristic cult of paradox and refusal of clarity.18 Although the essay largely creates its object by combining and reducing to a common ground completely unrelated philosophical phenomena, it remains an interesting symptom by indicating a compulsive aversion to thought that refuses any foundation, be it ontological, epistemological, or axiological.

In an extensive study entitled La pensée anti-68,19 Serge Audier organizes this matter and distinguishes several different strategies of attack on the “anti-humanist” thought of the period. In particular, Audier identifies: a right-wing offensive that rejects the radical interpretation of the hermeneutics of suspicion and psychoanalysis, accusing them of “intellectual terrorism,” namely the systematic “dismemberment” of the state, national, Church, and family structures;20 a neoconservative depreciation compares the incomprehensible “parade of socialist and communist ideas” to “archeo-Marxist madness;”21 a conservative rhetoric of cultural pessimism revolving around the motif of “loss” in a rapidly globalizing world; the “perdition” of (truth-seeking discourses), and “ingratitude” (heirs to a great culture who pursue nothing more than the redistribution of recognition);22 the ultra-leftist onslaught based on the topicality of a “betrayal of ideals,”23 and a liberal counteroffensive calling for the abandonment of suspicion and a renewed trust in democratic institutions.24 Significantly, none of these critique remarks refers to Rancière’s philosophy, as he develops his strongly ambivalent attitude to the legacy of Marx and Freud without abandoning emancipatory ideals, and combines distrust toward institutions with the conviction that they are where political moments are recorded.

Rancière defends the importance of the event and emphasizes its formative power. He would probably agree with Antonio Negri, who says in his memoirs that “the nineteen sixty-eight was not a revolution – it was the reinvention of the production of life,” and that its subversiveness consisted in the abolition of existing divisions:

Domination and power are clever: they reigned over life because they understood that it had to be divided up – into work, emotions, the public, the private – to be conquered. From this point of view, the recomposition of life was fundamental: one of the slogans of the 1970s was “We want it all.” This is what is important: everything.25

Details

Pages
340
Year
2023
ISBN (PDF)
9783631905654
ISBN (ePUB)
9783631905661
ISBN (Hardcover)
9783631881644
DOI
10.3726/b21035
Language
English
Publication date
2023 (July)
Keywords
Relationship between politics and literature Modern aesthetics and political philosophy Philosophy of literature
Published
Berlin, Bern, Bruxelles, New York, Oxford, Warszawa, Wien, 2023. 340 pp.

Biographical notes

Jerzy Franczak (Author)

Jerzy Franczak is an accomplished writer and academic, currently serving as a professor at the Jagiellonian University in Krakow. He has published numerous novels, collections of short stories, essays, and studies on philosophy and literature. His main research areas are contemporary critical thought, the history of the avant-garde, and modernist art.

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