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The History of Easter Laughter

Johannes Oecolampadius’ ‘De risu paschali’ from 1518 with an Introduction, Annotated Translation, and an Account of the Cultural, Ecclesiastical, and Theological Transformation of Laughter

by Benny Grey Schuster (Author)
©2024 Monographs 386 Pages

Summary

May you laugh in church? The church fathers said ‘no’, but the question resurfaced thanks to a German custom of making the congregation laugh on Easter morning. In 1518, Oecolampadius wrote a book in which Easter Laughter is described for the first time. Until now, his Latin text has never been translated. This study provides a historical account of Easter Laughter in the Early Modern period, traces the controversy it sparked between Catholics and Protestants in the following centuries, and offers some explanations for why a provincial custom has sparked global interest since the 1950s.
The author discusses the role of laughter in church and society, demonstrating how the general assessment of laughter has changed radically in an astonishingly short time. From an almost unbroken tradition of suspicion and prohibition, laughter now enjoys high esteem. This transformation is examined with a particular focus, as the book ventures to ask how it can be a blessing that Jesus did not laugh.
"The entire study invites an examination of a phenomenon that obviously deserves a more intensive theological study […]. It shows the author’s amazing knowledge. There is no question that this is linked to significant insights, especially from an interdisciplinary perspective. Cultural studies and theology are equally addressed when the Easter Laughter is pursued in all its diversity."
(Benedikt Kranemann, translated from his review of the German edition in Thelogische Literaturzeitung, vol. 147/3, 2022)

Table Of Contents

  • Cover
  • Title
  • Copyright
  • About the author
  • About the book
  • This eBook can be cited
  • Table of Contents
  • Introduction
  • 1. Easter Laughter as a Denominational Point of Contention
  • 2. (Easter) Laughter as a Historical Point of Contention
  • 3. A Note on the Outline of this Book
  • Chapter I: What Was Easter Laughter?
  • 1. Distinguishing Characteristics of Easter Laughter
  • A Brief Excursus on Bakhtin and ‘the Culture of Laughter’
  • 2. The Means Used to Stimulate Easter Laughter
  • 3. How Old Is Easter Laughter?
  • 4. The Geographical Spread of Easter Laughter
  • Chapter II: The History of the Effects of Easter Laughter
  • 1. Continuation of the Practice of Easter Laughter
  • 2. Easter Laughter as a Denominational Point of Contention until the Baroque Period
  • i. The Beginning of Its Critique
  • ii. Lutheran Critique
  • iii. Oecolampadius’ Legacy
  • 3. Brief Characterisation of the Critique of Easter Laughter After the Baroque Period
  • 4. Re-evaluation I: Nuances in Luther’s and Mathesius’ Critique
  • 5. Re-evaluation II: Theological Motives Behind the Protestant Critique of Easter Laughter
  • 6. The Scholarly Rediscovery of Easter Laughter in the First Half of the 20th Century
  • 7. The Scholarly Study of Easter Laughter during the Second Half of the 20th Century
  • 8. General Classification of the Way Easter Laughter Has Been Treated as a Literary Topos in Scholarly and Popular Literature of the 20th Century
  • 9. Easter Laughter in the Scholarly Literature since 1990
  • Chapter III: Arguments For and Against Easter Laughter
  • 1. Pragmatic Arguments
  • 2. Pedagogical Arguments
  • 3. Tradition as an Argument
  • 4. Anthropological Arguments
  • 5. Joy as an Argument
  • i. The Easter Hymn
  • Intermezzo: The Concept of Dignity in Child-Rearing
  • ii. Laughter of the Heart
  • iii. Scholasticism:
  • a. Silence – Humility
  • b. Aristotle and Aquinas
  • c. The Four Temperaments
  • d. Sin and Purgatory
  • iv. A Couple of Female Mystics – and a Male
  • v. Summary
  • 6. The Resurrection as an Argument
  • i. Spring in Nature and Myth
  • A Brief Excursus on Abraham, Sarah, Isaac, and Laughter
  • ii. Sexuality and Fertility
  • iii. The Uroboric Powers of Laughter
  • Chapter IV: Did Jesus Laugh? An Essay on the Cultural, Ecclesiastical, and Theological Transformation of Laughter
  • 1. Did Jesus Laugh? Yes, Naturally! (He Could Easily Have Done So)
  • i. How Literally Should We Understand the Incarnation?
  • ii. Can We Even Imagine a Human Being Not Laughing?
  • 2. Did Jesus Laugh? Maybe! (Depending on What Is Meant by ‘Laughter’)
  • i. Different Forms of Modern Research Into Laughter
  • ii. The Historical Break in the Concept of Laughter
  • iii. The (Bodily) Context of Laughter
  • iv. Laughter as an Educational or Liberating Force
  • v. And Then There Was Humour!
  • vi. Humour and the Conception of the Human Being
  • vii. Humour in the Service of Critique of Religion
  • viii. Humour as a Substitute for Religion
  • ix. Do Structural Similarities Between Christianity and Humour also Imply a Causal Relationship?
  • x. Why Does Jesus Have No Sense of Humour?
  • 3. Did Jesus Laugh? Probably Not! (But He Began Doing So 150 Years Ago)
  • i. What Enabled Us to Start Hearing the Laughter of Jesus?
  • ii. Will the Right Jesus be so Kind as to Step Forward?
  • 4. Did Jesus Laugh? No! (And Is That Why We Can?)
  • Chapter V: Johannes Oecolampadius: De Risu Paschali
  • Wolfgang Capito’s Preface, April 1518
  • Johannes Oecolampadius’ Letter, March 1518
  • Afterword and Acknowledgements
  • Bibliography
  • Index of Names
  • Index of Bible Texts
  • A Note on the Author

Introduction

Easter Laughter! The expression alone is so alluring that we cannot help but react and let our imagination soar. It is quite amusing, albeit unintentionally, that these reactions are not only spontaneous and typically strong but also the diametrical opposite of each other. Strikingly, neither those of us who are attracted nor those who are repelled seem particularly interested in what the expression actually means. In its historical setting that is. For even when the expression – and (to a lesser extent?!) the practice behind it – has gained such widespread popularity in recent times that it is tempting to consider it a timeless and borderless phenomenon, it is nevertheless possible, with only a slight exaggeration, to pinpoint the hour when, and the house where, the concept of ‘Easter Laughter’ was born.

Insofar as there is some truth to this exaggeration, the expression ‘Easter Laughter’ celebrated its half millennium anniversary on 18 March 2018. For on this day in 1518 the priest Johannes Oecolampadius (1482–1531) sat in the parsonage of Weinsberg in Southern Germany finishing a lengthy letter which he then mailed to the cathedral chaplain and dean of the theological faculty in Basel, Wolfgang Capito (1476–1541). A month later the letter, together with a foreword by Capito, was published as a small booklet by Johann Froben’s (c. 1460–1527) famous humanist publishing house under the title De risu paschali Oecolampadii, ad V. Capitonem Theologum epistola apologetica. Here, for the first time in world history, Easter Laughter is named, described, and evaluated in detail.

This is not to claim that Oecolampadius invented the practice. Even if this seems occasionally suggested when reading about Easter Laughter (perhaps due to misconstruing the appearance of the word ‘apologetica’ in the title?),1 Oecolampadius is so very far from defending the practice, he is vehemently denouncing it. The letter was provoked by one or more of Oecolampadius’ fellow preachers complaining to Capito that Oecolampadius was ‘all too serious’, and in his letter he is actually making an ‘apology’ for himself, in the sense that he explains in detail why he will not demean either himself or the pulpit by making use of this contemptible laughing at Easter. What does remain, however, is that from all available accounts Oecolampadius is the one who invents the very ‘catchphrase’ which, ironically, contributes decisively to preserving the memory of the custom into modernity. That irony is all the stronger for the fact that it almost seems a coincidence that Oecolampadius actually coins the phrase, for only once during the book’s twenty-five pages does he use the suggestive expression risus paschalis.

Despite the fact that even Oecolampadius notes that his opponents defend Easter Laughter by referring to it as a custom, a search in the electronic edition of the 221 massive volumes of Jacques-Paul Migne’s (1800–75) collection of more than a thousand years’ worth of theological and ecclesiastical documents yields not a single occurrence of ‘risus’ and ‘paschalis’ (including truncated forms) in close proximity of each other.2 This, on the other hand, is in stark contrast to a different kind of search which documents our current fascination with this phenomenon: google searches conducted in late November 2012, mid May 2017, and early March 2024 revealed the following drastic rise in the number of hits: ‘risus paschalis’ went from 12,700 via 15,300 to 58,800, ‘Osterlachen’ from 603 (sic) and 13,000 to 15,800, while ‘Easter Laughter’ leaps from 503 (yet again: sic) to 13,600 to 375,000.3

Despite the thousands of hits, we have to acknowledge a rather curious historical state of affairs, since we can make the paradoxical, yet reasonable claim that Easter Laughter has never before been so popular and at the same time unknown as it is today. Our generally positive assessment shows a striking difference to the first three or four hundred years of discussing Easter Laughter: at that time the knowledge of the actual historical practice was possibly as weak as now, but whenever people wrote about it, it was largely only with utter contempt. Although coming from diametrically opposed viewpoints, there seems both then and now to exist an inverse proportional ratio between actual knowledge about the historical sources and more or less justified speculation about the practice and meaning of laughing on Easter Sunday.4

In the age of electronics we have learned that knowledge disseminated on the internet can be of dubious validity, in particular when it is documented by references to other sites on the internet in an ever-expanding but all the same closed circuit. The thousands and thousands of online posts about Easter Laughter reveal inordinate amounts of redundancy, and they are likely of more use to a folklorist researching how stories arise and develop through inbreeding than to anyone interested in learning about the historical reality which those definitions purport to describe.

Thus, it may prove opportune in advance to put to bed one of the most frequently repeated explanations which would have us believe that Easter Laughter was a legacy of the liturgy of the Greek Orthodox Church, thus making the custom up to a thousand years older than the Reformation period. Even if at this early stage of the book there is a serious risk of appearing pedantic it is worth the effort to dig a bit deeper into this theory of the genesis of Easter Laughter, because this kind of claim seems symptomatic for much of the discussion about the topic. In countless cases it is casually claimed that Easter Laughter originated in the liturgy of the Greek Orthodox tradition, and this is apparently so obvious that with remarkably few exceptions the writers do not offer any form of documentation. Sometimes a reference will be given to a modern author, who in turn refers to another author, who either states it as a simple fact … or refers us on to yet another. As far as it is possible to trace these strings of references they quite possibly converge on a lone source. If that is indeed the case, this source turns out to be a highly-learned article containing a more or less casual observation which to all appearances has been short-circuited by its later interpreters.

The earliest example that I have been able to trace of the alleged connection between the Greek Orthodox Easter liturgy and a congregational laughter is to be found in a 1912-article on ‘Le rire rituel’ by the French historian of religion Salomon Reinach (1858–1932). It does not require much detective work to track down Reinach, as celebrities such as Propp and Mikhail Bakhtin (1895–1975), and after them a large number of scholars in general, refer to Reinach’s article as a pioneering work in research on the history of laughter. In particular, it is his name that is often cited as a reference if and when the Greek Orthodox origins of Easter Laughter are to be documented. However, the nature of Reinach’s ‘documentation’ is rarely reproduced.

Reinach juxtaposes and comments on Egyptian and Oriental but especially Hellenistic myths about the power of laughter, which not only gives life but also overcomes death. As a closing remark to the article Reinach makes a suggestion on how to find a kind of parallel to these ideas within Christianity:

However, the Greek Orthodox Church has preserved a trace of the exuberant joy that in ancient cults greeted the return of a dead god or hero to life: this is the noisy manifestation of Easter Sunday, which, like a Dionysian jubilation in the Greek cities, unleashes the cry repeated a thousand times: Christ has risen!5

Thus, Reinach writes only about ‘a trace of the exuberant joy’, and although he dares to compare the cry of resurrection with ‘a Dionysian jubilation’, he does not really mention anything about laughter during the mass.6

In a final footnote consisting of a few lines, Reinach adds that he has recently been made aware of another phenomenon that could count as a Christian parallel to the ancient myths: Easter Laughter. Posterity has clearly allowed Reinach’s tentative considerations to merge and solidify into a fixed theory; but even though this claim has been repeated endlessly in academic literature of the 20th century on Easter Laughter (and thus not only on the internet), I have never been able to find the phenomenon documented in generic works on Greek Orthodox theology and liturgy. Likewise practising Orthodox priests have assured me that there is no tradition of combining the admittedly loud joy of Easter Morning with ritual, liturgical, homiletical, or spontaneous outbursts of laughter.7

However, not least the intense nature of both the negative and positive attitudes suggests that the phenomenon is attracting interest on several diverse levels. The juxtaposition of Christianity and laughter seems to trigger some reactions, the ferocity of which reveals such a great discrepancy between cause and effect that it is easy to get the idea that there must be something more behind it. In that sense, Easter Laughter can serve as a mental-historical prism, wherein we are confronted, en miniature, with some of our perennial questions, such as the relationship between soul and body, religion and sexuality, God and humans. Not least it says something about our understanding of the God-Man from Nazareth. It is no coincidence that in the broader context the most frequently asked question has been ‘Did Jesus laugh?’. This has been the case since John Chrysostom (349–407) first formulated it in some sermons from the 390s8 – a then purely rhetorical question whose contemporary, often favourable, answer is in stark contrast to the self-evident rejection of the preceding well over one and a half millennia.

If we were to give a few graphic images of how big the difference is between then and now, we can point out that while the Christian tradition is filled with moving examples of statues that unexplainably begin to weep, we are still waiting for a church to report on one of its statues having miraculously begun to laugh heartily. The same basic assumption – that since the core of Christianity is the crucified one, it can come as no surprise that weeping seems more appropriate than laughter – will undoubtedly influence our answer to another simple question: what does a Bible look like? Until a few decades ago, that question was almost pointless, was the answer not clear from the outset? A Bible has a black or suitably dark cover, and the title is printed with gold letters; but if we visit the online shops of various Bible Societies today, we have to look hard to find an edition where the cover is not in the brightest, most cheerful colours.9 Many of them are marketed as suitable for confirmands and young people; but does that kind of a gaily colourful cover fit the Bible that is supposed to lie on the altar of the church on Sundays? If we detect the slightest hesitancy in giving an answer the question may still be relevant: what does a real Bible look like?

1. Easter Laughter as a Denominational Point of Contention

On another level – and in light of the proximity between Oecolampadius’ letter and Martin Luther’s (1483–1546) early writings – it is no less interesting that this topic also says something about the relationship between Catholicism and Protestantism. This was not the case from the very beginning of the Reformation movement, as we find condemnations of Easter Laughter from many camps; but surprisingly quickly it became a point of contention between the denominations, almost on the same level with the disputes over the trade in indulgences. This already happened in the course of Luther’s generation and reached its peak in the time of Orthodoxy.

One way to illustrate the long-term effects of both these denominational differences as well as the radical change across the denominations within just the last 75 years or so is by making a quick survey of the leading encyclopaedias within this field and noting the discrete yet significant differences between them. The Catholic Lexikon für Theologie und Kirche (LThK) was published in its 2nd edition in 1957–68 and in its most recent 1993–2001. The former does not contain an entry for Osterlachen/Ostergelächter/Risus paschalis (the German and Latin expressions for Easter Laughter), but in volume 7 from 1962 the article about ‘Ostern’ finishes with a paragraph on ‘Osterbräuche’ (‘Easter customs’) containing this short notice: ‘In the Middle Ages and even more recent times, the Easter sermon brought the faithful to Easter Laughter (risus paschalis) by its human joyful nature.’ A generation later in the 3rd edition’s volume 8 (1999) ‘risus paschalis’ appears as a separate entry of ten lines which happens to mention Oecolampadius and some of the major works of contemporary scholarship.

This is matched by the Protestant Die Religion in Geschichte und Gegenwart (RGG), whose 3rd and 4th editions were published in 1957–65 and 1998–2007 respectively. Neither of these has an entry for Easter Laughter, but volume 4 from 1960 does have a relatively comprehensive and decidedly religio-historical article on ‘Lachen und Weinen’ (‘laughter and weeping’), which mentions ancient ideas of the life-creating power of laughter in, for example, the Hymn to Demeter. The passage is rounded off as follows: ‘The Greeks also created the term “serious-ridiculous” (spoudogéleion), but the matter as such is known in all cultures and times (cf. for example risus paschalis in the church).’ A generation later, in the 4th edition (2002), this parenthesis is allowed to swell into a full sentence:

Annual rituals sometimes include extraordinary grief over the death or disappearance of a deity, followed by regenerative laughter. Such rituals can be found in the mystery religions of the Greco-Roman world. In the Christian Middle Ages, the celebration of Christ’s resurrection on Easter Sunday was sometimes accompanied by Easter Laughter (risus paschalis).10

The ‘discreet yet significant’ differences, especially with regard to the epochal shift, become even more evident when turning to the Theologische Realenzyklopädie from 1977–2004. It is considered a successor to the Realencyklopädie für protestantische Theologie und Kirche, whose 3rd edition (1896–1909) had neither entries for Easter Laughter nor laughter in general, nor did it touch on the subject in connection with ‘Easter.’11 A little more than a hundred years later the ‘successor’, which is admittedly both far more voluminous and also strives to be ecumenical, continues to have no separate articles about laughter or Easter Laughter; but in the 1995 article on ‘Osterpredigt’ (‘Easter Sermon’) space has been given to a substantial and nuanced section on ‘Ostergelächter’ which concludes: ‘In the last twenty years the old homiletic-liturgical custom of Easter Laughter (risus paschalis / Easter Laughter) has aroused new interest.’12

2. (Easter) Laughter as a Historical Point of Contention

Already at this point it has transpired how important it is to approach the subject with a sense of historical awareness. This, however, points to a not insignificant challenge, as an obvious reaction to this alleged need would be to meet it with an overbearing smile – and a shrug of one’s shoulders. While it may be entirely valid out of pure historical interest to delve into the quarrels of the past over the legitimacy of laughter in connection with the Church and Christianity, it is tempting to think that the historical distance is so great that both the phenomenon of Easter Laughter and, in particular, the opposition to it can only be understood as an anachronism, as a historical oddity with no appreciable contemporary relevance.

At this introductory stage we must ask a counterweight question as to how great that distance actually is. Qualitatively, so to speak, we can maintain that even if and when most sermons today have no problem at all with including a joke or two, this does not necessarily mean that we have overcome the legacy theologically. Our attitude may simply have changed without any real arguments for such a change (including counterarguments against the condemnations of the past). Maybe we are just servile to an age that calls for entertainment, and where ‘it-must-be-fun’ is a parameter that is by no means restricted to the entertainment industry but has spread to almost all areas of society. There is a lot of canned laughter on TV, but how many Greek Choruses of ‘professional mourners’ are employed in the media? To avoid being misunderstood I hasten to add that, conversely, the point is not that sermons necessarily have to be boring, that it may not be ‘entertaining’ to go to church, nor that the church hasn’t earlier in history been faced with such demands (and that Easter Laughter may possibly be a testimony to that effect). Rather it is the presumed weight and imperialist spread of the parameter that is so striking. Why is it that it has suddenly become an argument – and a weighty one – that it must be fun to go to church – along with the expectations that it should be fun to go to school, to be at work, to go to bed with one’s partner? Should it also be fun to be in jail, undergo heart surgery, or lie in a hospice?13

Furthermore, it may also be worth considering ‘quantitatively’, so to speak, that even though in our current cultural climate there may be a wide gap in attitude between then and now, it is chronologically surprisingly narrower. To mention only one well-publicised case from the mid-1990s, it aroused equal parts curiosity and indignation, when the so-called Toronto revival made the congregation’s loud laughter a hallmark of the Holy Spirit’s presence during the service. The reactions of that time just a few decades ago may be a warning against exaggerating the distance between Oecolampadius and our time. Perhaps ecclesiastically and theologically we have not abandoned or overcome a mistrust of laughter entirely. The limitations to our acceptance of laughter in church may not have been lifted but simply shifted – more or less according to denomination, nationality, region … or perhaps rather according to individual mood and taste? An easy litmus test is to ask ourselves: is it permissible/desirable to smile during an (Easter) service? Is it permissible/desirable to laugh? To laugh loudly? To slap our thighs in a fit of laughter? If just one of the questions triggers a pause, it may be worth the trouble to read Oecolampadius and the subsequent discussion of his concern.

Just as faith in the resurrection is not restricted to Easter Sunday, neither can Easter Laughter be confined to such a narrow framework,14 so if it is illegitimate in that context, laughter is probably problematic in general. Conversely, if the condemnations of Easter Laughter in the past are overcome, does both it and any other form of laughter have the same legitimate place in church and theology as all other human emotions, reactions, and expressions?15 When many in our time have not only relaxed their resistance to laughter but are attempting to develop a theology of laughter, we must try not to lose sight of what the challenge is. It may indeed be a symbolically important step to allow laughter into the church, but this is not necessarily the same as having developed a theology to support it, certainly not if access to the church is mainly due to the fact that we have given up resisting the omnipresence of laughter in the surrounding society.

It is not likely that any theologians of laughter will use this as a justification; but it is with laughter as with so many other modern cultural phenomena that are invited inside the church: it will always turn out whether the motive was basically one of accomodation, since the result will soon be either involuntarily comic imitations or we sense an ulterior motive and do not really feel like laughing. By extension, it is also not enough to use laughter in the church for strategic reasons, as it is particularly customary in homiletics to argue. Humour is recommended, as it is demonstrably good at catching the congregation’s attention; but as soon as we get to the point of our sermon, we have to leave it behind! Arguably humour and laughter are used to serve the gospel, but apparently they have nothing to do with the gospel itself. Nor is it adequate to aim for laughing in the church at the church,16 although this can be interpreted as a display of an otherwise admirable self-critical consciousness, a kind of safety valve against an inflated sense of self-importance. That valve function certainly has an illustrious place in the theory of laughter, but quite frankly it is a kind of a negative defence, which could be reformulated thus: we legitimise laughter for the sake of our sinfulness; it is needed as protection against our penchant for pharisaism, pride and lust for power. All this is part of it; but does laughter also have anything to do with salvation?

Insisting on such questions is not only in respect for the Church and theology but certainly also out of awe of laughter. It is relevant and respectable to examine the many possible functions of laughter and decide which of them we will try to apply – and expose ourselves to. The crucial thing, however, must be to combine this with reflections on what the meaning can be behind the many types of laughter, and what significance this can have in a theological and ecclesiastical context. The addition of ‘exposing ourselves to laughter’ refers to the dialectic nature of laughter, that it is naïve to think that laughter can be used as a pure means. Precisely because laughter can seize control and make itself a goal, it is all the more necessary to clarify laughter theologically as a phenomenon and carrier of meaning, before making it a programme to bid it welcome within the church service.

This, of course, is ultimately related to the complication in the relationship between gospel and laughter that it does not directly and unambiguously work both ways. If joy is included as the link between the two, we can say that from a theological point of view joy belongs constitutively to the gospel, and anthropologically/psychologically we can observe that joy often finds expression in laughter. In that sense laughter cannot be completely foreign to the gospel. However, the order cannot be reversed; partly because laughter has many sources other than joy, partly because joy has other expressions than laughter – not to mention the fact that not even joy is able to circumscribe the gospel. Just as we may think it narrow-minded and prudish to want to exclude laughter from the gospel, it can be just as naive and dangerous to let laughter be evidence of the gospel being received, or to try to arouse laughter in order to let it be the entrance door to the service. Oecolampadius would probably have agreed with these reservations.

It can be a great stimulus to reflect on Richard G. Cote’s (1934–2005) call to ‘imagine what might happen if God’s laughter became a living religious symbol in the church, just as God’s remorse or God’s omnipotence or God’s providence once were’.17 Likewise, it should not be dismissed in advance that Merritt Conrad Hyers (1933–2013) may be onto something worth serious reflection when he suggests that the inclusion of humour and laughter in 20th-century theological and ecclesiastical considerations may be an expression of ‘a special virtue of modern spirituality’.18 The present book presupposes that Cote’s and Hyers’ deliberations are legitimate and that it is not a major problem if the present were to stand alone in finding such thoughts relevant, even without being able to refer to substantial precedents in our tradition. We could argue that the world, humanity and/or the Church have changed so much that new conditions and possibilities appear. However, if we think that it is going too far to work with such ontological implications, we could settle for a more cautious, yet perhaps more polemical consideration: ‘modern spirituality’ is not necessarily an expression of a whole new relationship with God, but it may be a release of the aspects of that relationship which tradition has under-exposed, suppressed or condemned.

How do we strike the best balance between tradition and the present? How can tradition be considered an inexhaustible source of inspiration without giving it the power to veto change? How can we champion the latest answers to today’s issues without ignoring the ideas of the past simply because they are old? A benchmark could be the wisdom behind the canonical principle (at least in the Danish Lutheran Church) that we can introduce new rituals without thereby nullifying the validity of the old ones. As such this principle is the opposite of a cancel-culture that would want to tear down statues of people because they are an uncomfortable reminder of who we were one or more generations earlier. On the one hand, this benchmark is a sign of the churches’ attempt to preserve their identity in the face of change, and on the other hand, it testifies to a self-confident openness that we are able to accommodate a certain diversity. It is legitimate for a living faith to introduce something new, while at the same time it is an awareness of continuity that we do not thereby invalidate the tradition. Let this serve as a model that finds it fully justified to invent new ways of talking about God and Jesus, but which at the same time is a warning against treating the newfound openness of recent generations to speak of the laughter of God and Jesus almost as an expression of a crypto-philosophical belief in historical progress! For when we study the cornucopia of contemporary theologies of laughter, an unmistakable tendency becomes clear: in the attempt to rehabilitate themselves in relation to the traditional critique, these theologies often come recklessly close to turning the laughter-sceptical worship and forms of faith of the past into heresy.

It is not the concern of this book to promote the viewpoint that God meets us especially in the power of laughter to break down barriers, or that humour should be particularly consistent with a Christian view of life. Even if it has been scientifically proven endless times in the 20th century that laughter is healthy and can have a healing effect, this does not eo ipso make it blissful or redemptive. For laughter can be just as much an expression of avoiding life as of embracing it, of hiding in a shell as of self-disclosure, of isolating oneself as of reaching out for a community. Conversely, it is indeed our concern – at least as a counterweight and supplement to the historical one-sidedness – to plead the case of laughter not being the opposite of seriousness, that God can also meet us in the laughter of joy as well as in the tears of repentance and sorrow, and finally that laughter as a natural bodily expression lies beyond, or before a good-bad dichotomy – and even more so a good-evil antinomy. The phenomenon of laughter is neither diabolical, as many of the Church Fathers et alii feared, nor – as it is now widely taken for granted – in itself heavenly.

As for the latter, it might be sobering with a Kantian-Protestant relation to laughter! We could try to distinguish the laughter of faith (and of humour) from a natural laughter. Not in order yet again to introduce false distinctions but to emphasise that to the extent that laughter is assigned a special ethical and religious role – whether we believe it leads to salvation or perdition – we must be wary of turning a natural inclination (the Kantian Neigung), such as a sunny disposition and being quick to laugh, into something particularly pleasing to God or stemming from the Devil. If not directly a Kantian ‘duty’ (Pflicht), the laughter of faith is not (only) rooted in a bubbling joy of life (joie de vivre) and a cheerful mood, but it contains pain and sorrow and springs from the fact that death did not have the last word about the Word … at the first Easter, and every day since.

3. A Note on the Outline of this Book

If the diagnosis is correct that the exponentially growing number of hits when googling ‘Easter Laughter’ testifies to a remarkably high interest in this phenomenon while at the same time factual knowledge about its historical roots is very low, then a number of obvious questions arise which can serve as an outline for this book.

Firstly (Chapter 1) there is the historical question of what. What was Easter Laughter, where did it take place, who practised it, when did it originate, and how widespread was it – and equally interesting: can anything at all be said about how the laughter was triggered?

Secondly (Chapter 2) some historical questions arise of a slightly different kind, concerning the history of the effects (Wirkungsgeschichte) of Easter Laughter: how long did Easter Laughter stay alive, who criticised it so harshly … and why – and were there none at all who defended it? As we shall see when we come to discuss the invention of the technical term risus paschalis, it turns out to be quite an ironical twist of fate that Easter Laughter seems especially to have survived thanks to its critics. Rather than a continued ecclesiastical practice, Easter Laughter was for several centuries a literary topos in scholarly feuds. Thus, it was carried forward from the implacable rejection in the period of the Baroque and Enlightenment via the historicising curiosity of Romanticism to an age, namely modernity, which suddenly welcomed the phenomenon as the return of a deeply missed Prodigal Son.

Thirdly (Chapter 3), by focusing on the question of why, Easter Laughter can be approached through systematic theology. Here the perspectives from dogmatics and practical theology come into view when we examine the contemporary attempts to argue for (and later to theorise about) why it is precisely in connection with Easter that such a practice could arise and in some ecclesiastical circles be considered legitimate. Other theological perspectives, of course, appear in the resistance to this custom.

Finally (Chapter 4) this leads to an examination of the history of ideas. The guiding question in this context will be whether some explanations can be given for the significant difference in the assessments of laughter through the ages. This paves the way for some suggestions as to why modernity has generally been far more positive about phenomena such as Easter Laughter. Where the other chapters relate narrowly to Easter Laughter, the concluding chapter deals more broadly with laughter in general. Yet in order to keep focus on the theological relevance of laughter the discussions will be concentrated around the classic question of whether Jesus laughed. It should be noted, however, that the primary aim of this book is not to present yet another answer to that question. Such answers have been given so abundantly over the past 50–75 years. Instead, the ambition here is to present some historical material that partly documents the astonishing distance between the understanding of laughter in the past and today, and partly illustrates the astonishing speed and radicalism of this turnaround. When dealing with topics that different eras have been intensely interested in, but in vastly diverse ways, a historical awareness is invaluable.


1 Most surprisingly, even an authority like Vladimir Yakovlevich Propp (1895–1970) seems to make this mistake, Propp 1984, 138.

Details

Pages
386
Publication Year
2024
ISBN (PDF)
9783631914847
ISBN (ePUB)
9783631914854
ISBN (Hardcover)
9783631914830
DOI
10.3726/b22285
Language
English
Publication date
2024 (November)
Keywords
Easter Laughter Mikhail Bakhtin Martin Luther transformation of Laughter humour Johannes Oecolampadius Aristotle John Chrysostom theology Christianity Erasmus Lenz Prütting facetiae-literature homo ridens Did-Jesus-Laugh laughter in the Bible scholasticism
Published
Berlin, Bruxelles, Chennai, Lausanne, New York, Oxford, 2024. 386 pp., 1 fig. col.
Product Safety
Peter Lang Group AG

Biographical notes

Benny Grey Schuster (Author)

Benny Grey Schuster studied theology at the University of Aarhus and Christ Church in Oxford. He taught philosophy of religion as well as systematic and practical theology in Aarhus. Additionally, Schuster served for four years as a pastor. Until 2023, he was a lecturer at the Centre for Education and Research under the Evangelical Lutheran Church in Denmark.

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Title: The History of Easter Laughter