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Satire, Youth, and Gender in Contemporary Irish Fiction

by Melania Terrazas Gallego (Author)
©2026 Monographs XX, 280 Pages
Series: Reimagining Ireland, Volume 151

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Summary

This book focuses on the satirical practice of four contemporary Irish writers spanning over three decades: Patrick McCabe, Emer Martin, Alan McMonagle, and Naoise Dolan, and places these writers in the context of a tradition of Irish satirical writing. Drawing on seminal publications in satiric theory and recent research into satire of a more complex and rhetorical nature, the discussion engages with theories related to genre, gender (also viewed through a queer lens), the sociology of literature, philosophy, economics, and posthumanism. This study illuminates both the power of satire and its significance to an understanding of postmodernity before and after the 2008 crash, a pivotal moment in Irish society. The discussion encourages a renewed reading of issues around intersectionality, sexuality, and heteronormativity. It also tries to reinvigorate alternative speculation around current socio-economic, ideological, cultural, and ethical questions, rather than seeking answers. Ultimately, it is intended that this novel cultural approach to Irish capitalism be applied to other experimental novels featuring youthful characters by writers born in Ireland but also beyond.

Details

Pages
XX, 280
Publication Year
2026
ISBN (Softcover)
9781803747804
Language
English
Keywords
Irish Culture satire youth intersectionality Patrick McCabe Emer Martin Alan McMonagle Naoise Dolan Irish fiction rhetoric genre capitalism neoliberalism posthumanism sexuality heteronormativity ideology politics ethics queer studies sociology anti-Bildungsroman Melania Terrazas Gallego Satire, Youth, and Gender in Contemporary Irish Fiction
Published
Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York, 2026. xx, 280 pp., 18 fig. b/w, 2 tables.
Product Safety
Peter Lang Group AG

Biographical notes

Melania Terrazas Gallego (Author)

Melania Terrazas Gallego is Senior Lecturer in English Studies and the Head of the Centre of Irish Studies Banna (EFACIS). She is the author of Relational Structures in Wyndham Lewis’s Fiction: Complexity and Value (2005), guest editor of Gender Issues in Contemporary Irish Literature (Estudios Irlandeses, Vol. 13.2., 2018), editor of Trauma and Identity in Contemporary Irish Culture (2020) and co-author of two Spanish translations of Marina Carr’s plays, Junto a la Ciénaga de los Gatos (2022) and Bodas de Sangre, una adaptación de Marina Carr (2025).

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Title: Satire, Youth, and Gender in Contemporary Irish Fiction