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Her Art

Greek Women in the Arts from Antiquity to Modernity

by Diane Touliatos-Miles (Volume editor)

©2011 Edited Collection
The Paris Fine Art Salon/Le Salon, 1791–1881

by James Kearns (Volume editor) Alister Mill (Volume editor) 2015

©2015 Edited Collection
The Gesamtkunstwerk as a Synergy of the Arts

by Massimo Fusillo (Volume editor) Marina Grishakova (Volume editor) 2020

©2021 Edited Collection
Intensified Bodies from the Performing Arts in Portugal

by Gustavo Vicente (Volume editor) 2017

Edited Collection
Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

by Patricia Williams Lessane (Volume editor) 2020

©2020 Edited Collection
Senses of Embodiment: Art, Technics, Media

by Mika Elo (Volume editor) Miika Luoto (Volume editor) 2014

©2014 Edited Collection
Art in Motion II

Motor Skills, Motivation, and Musical Practice

by Adina Mornell (Volume editor) 2012

©2012 Edited Collection
Edgar Wind

Art and Embodiment

by Jaynie Anderson (Volume editor) Bernardino Branca (Volume editor) Fabio Tononi (Volume editor) 2024

©2024 Edited Collection
Ireland and the British Empire

Essays on Art and Visuality

by Fintan Cullen (Volume editor) 2023

©2023 Edited Collection
Bruno Munari

The Lightness of Art

by Pierpaolo Antonello (Volume editor) Matilde Nardelli (Volume editor) Margherita Zanoletti (Volume editor)

©2017 Edited Collection
What is a Woman to Do?

A Reader on Women, Work and Art, c. 1830-1890

by Kyriaki Hadjiafxendi (Volume editor) Patricia Zakreski (Volume editor) 2011

©2011 Edited Collection
Critical Exchange

Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe

by Carol Adlam (Volume editor) Juliet Simpson (Volume editor)

©2009 Edited Collection
Theatre for Early Years

Research in Performing Arts for Children from Birth to Three

by Wolfgang Schneider (Volume editor) 2012

©2009 Edited Collection
As Radical as Reality Itself

Essays on Marxism and Art for the 21st Century

by Matthew Beaumont (Volume editor) Andrew Hemingway (Volume editor) Esther Leslie (Volume editor) John Roberts (Volume editor)

©2007 Edited Collection
Performing Nature

Explorations in Ecology and the Arts

by Gabriella Giannachi (Volume editor) Nigel Stewart (Volume editor) 2006

©2005 Edited Collection
Intersections, Interferences, Interdisciplines

Literature with Other Arts

by Haun Saussy (Volume editor) Gerald Gillespie (Volume editor) 2014

©2014 Edited Collection
Pre-Raphaelite Sisters

Art, Poetry and Female Agency in Victorian Britain

by Glenda Youde (Volume editor) Robert Wilkes (Volume editor) 2022

©2022 Edited Collection
'Otherness’ in Space and Architecture

Jews, Muslims and Christians in Western European Art (1200-1650)

by Maria Portmann (Author) 2020

©2021 Edited Collection
Performativity in the Gallery

Staging Interactive Encounters

by Outi Remes (Volume editor) Laura MacCulloch (Volume editor) Marika Leino (Volume editor) 2013

©2014 Edited Collection
Naturally Hypernatural I: Concepts of Nature

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2017

©2016 Edited Collection
Articulate Objects

Voice, Sculpture and Performance

by Aura Satz (Volume editor) Jon Wood (Volume editor)

©2009 Edited Collection
Imagined Cosmopolis

Internationalism and Cultural Exchange, 1870s–1920s

by Charlotte Ashby (Volume editor) Grace Brockington (Volume editor) Daniel Laqua (Volume editor) Sarah Victoria Turner (Volume editor) 2019

©2019 Edited Collection
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection

Her Art

The Paris Fine Art Salon/Le Salon, 1791–1881

The Gesamtkunstwerk as a Synergy of the Arts

Intensified Bodies from the Performing Arts in Portugal

Teaching <I>Daughters of the Dust</I> as a Womanist Film and the Black Arts Aesthetic of Filmmaker Julie Dash

Senses of Embodiment: Art, Technics, Media

Art in Motion II

Art in Motion III

Edgar Wind

Ireland and the British Empire

Bruno Munari

What is a Woman to Do?

Critical Exchange

Theatre for Early Years

As Radical as Reality Itself

Performing Nature

Intersections, Interferences, Interdisciplines

Pre-Raphaelite Sisters

'Otherness’ in Space and Architecture

Performativity in the Gallery

Polish Avant-Garde in Berlin

Naturally Hypernatural I: Concepts of Nature

Articulate Objects

Imagined Cosmopolis

The Power of Symbols

Key Subject Areas