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Publication Schedule
Open Access
Year
-
The Theatrical Critic as Cultural Agent
Constructing Pinter, Orton and Stoppard as Absurdist Playwrights©2001 Monographs -
Staging Separate Spheres
Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930- Including Bibliographies on One-Act Plays in the United States, 1900–1940©2006 Thesis -
Staging America, Staging the Self
Figurations of Loss in John Berryman's Dream Songs©2021 Monographs -
Byron and the Baroque
©2013 Monographs -
Shakespeare and the Strategies of an Opening
©2023 Monographs -
Approaching Transnational America in Performance
©2016 Edited Collection -
Transitional Nabokov
©2009 Edited Collection -
International Dramaturgy
Translation & Transformations in the Theatre of Timberlake Wertenbaker©2008 Edited Collection -
Shakespeare’s Knowledgeable Body
©2008 Monographs -
The Doing of Telling on the Irish Stage
A Study of Language Performativity in Modern and Contemporary Irish Theatre©2008 Thesis -
New Readings in British Drama
From the Post-War Period To the Contemporary Era©2021 Edited Collection -
(Re)defining gender in early modern English drama
Power, sexualities and ideologies in text and performance©2020 Edited Collection -
Texts, Images, Practices
Contemporary Perspectives on American, British and Polish Cultures©2021 Edited Collection -
A.S. Byatt’s Art of Memory
©2020 Thesis -
Art and Resistance: Studies in Modern Indian Theatres
©2019 Edited Collection -
Masking the Drama
A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»Thesis -
Staging the Other in Nineteenth-Century British Drama
©2016 Edited Collection -
Harold Pinter on International Stages
©2015 Edited Collection