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Publication Schedule
Open Access
Year
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In the Footsteps of Harlequin and Pulcinella
Cultural Mobility and Localness of Theatre©2020 Monographs -
Performance of Identity of Polish Tatars
From Religious Holidays to Everyday Rituals©2018 Monographs -
Performing Christ
South African Protest Theatre and the Theological Dramatic Theory of Hans Urs von Balthasar©2021 Monographs -
Fictions of African Dictatorship
Cultural Representations of Postcolonial Power©2018 Edited Collection -
The Effectiveness of Official Development Assistance in the Health Sector in Africa
A Case Study of Uganda©2023 Monographs -
Innovative Paths of Albanology
Proceedings of the Early Career Researcher Conference on 14th and 15th October 2021©2023 Edited Collection -
The Lexis of the Bay of Kotor: The Northwestern and Southeastern Area
The Language of the Boka Bay©2020 Monographs -
Plurality as the Core of Human Rights Universality
Rediscovering the Spirit of the Universal Declaration of Human Rights of 1948 through the Right to Self-Determination©2024 Monographs -
Cinematic Echoes of Covenants Past and Present
National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda©2018 Monographs -
Performing the Gendered Self in Intercultural Communication
©2022 Monographs -
Cultural Performances
A Study on Managing Collective Trauma amongst Displaced Persons in Daudu, Benue State, Nigeria©2021 Thesis -
Learning Scenarios for Social and Cultural Change
«Bildung» through Academic Teaching©2017 Edited Collection -
(Re)defining gender in early modern English drama
Power, sexualities and ideologies in text and performance©2020 Edited Collection -
Texts, Images, Practices
Contemporary Perspectives on American, British and Polish Cultures©2021 Edited Collection -
Modelling Cultural and Art Institutions
©2021 Thesis -
The Performance Practice of Electroacoustic Music
The Studio di Fonologia years©2018 Edited Collection