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  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • Title: Antonio Tabucchi and the Visual Arts

    Antonio Tabucchi and the Visual Arts

    Images, Visions, and Insights
    by Michela Meschini (Author) 2018
    ©2018 Thesis
  • Title: The New York School Poets as Playwrights

    The New York School Poets as Playwrights

    O'Hara, Ashbery, Koch, Schuyler and the Visual Arts
    by Philip Auslander (Author)
    ©1989 Others
  • Title: Iain Sinclair, London and the Photographic

    Iain Sinclair, London and the Photographic

    The Significance of the Visual Medium for the Writer’s Prose
    by Dominika Lewandowska-Rodak (Author) 2019
    ©2018 Monographs
  • Title: World War I from Local Perspectives: History, Literature and Visual Arts

    World War I from Local Perspectives: History, Literature and Visual Arts

    Austria, Britain, Croatia, France, Germany, Ireland, Israel, Italy, Poland and the United States
    by Mirosława Buchholtz (Volume editor) Grzegorz Koneczniak (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Neoplatonic Aesthetics

    Neoplatonic Aesthetics

    Music, Literature, & the Visual Arts
    by Liana De Girolami Cheney (Volume editor) John Shannon Hendrix (Volume editor)
    ©2004 Monographs
  • Title: Women and the Arts:

    Women and the Arts:

    Dialogues in Female Creativity
    by Diana Almeida (Volume editor) 2013
    ©2013 Conference proceedings
  • Title: Fictions and Metafictions of Evil

    Fictions and Metafictions of Evil

    Essays in Literary Criticism, Comparative Literature and Interdisciplinary Studies
    by Grazyna Branny (Volume editor) J. Gill Holland (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Ghosts of the Revolution in Mexican Literature and Visual Culture

    Ghosts of the Revolution in Mexican Literature and Visual Culture

    Revisitations in Modern and Contemporary Creative Media
    by Erica Segre (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Things of the Spirit

    Things of the Spirit

    Art and Healing in the American Body Politic, 1929-1941
    by George Van Cleve Speer (Author) 2012
    ©2012 Monographs
  • Title: The Literary Art of Ali Smith

    The Literary Art of Ali Smith

    All We Are is Eyes
    by Ema Jelínková (Volume editor) Rachael Sumner (Volume editor) 2020
    ©2019 Edited Collection
  • Title: Believing in the Text

    Believing in the Text

    Essays from the Centre for the Study of Literature, Theology and the Arts, University of Glasgow
    by George Newlands (Volume editor)
    ©2004 Edited Collection
  • Title: Women Making Art

    Women Making Art

    Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition
    by Deborah J. Johnson (Volume editor) Wendy Oliver (Volume editor) 2021
    ©2020 Textbook
  • Title: Visualizing Dublin

    Visualizing Dublin

    Visual Culture, Modernity and the Representation of Urban Space
    by Justin Carville (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Literature and Media

    Literature and Media

    After 1989
    by Maryla Hopfinger (Author) 2020
    ©2020 Monographs
  • Title: Parody and Palimpsest

    Parody and Palimpsest

    Intertextuality, Language, and the Ludic in the Novels of Jean-Philippe Toussaint
    by Sarah L. Glasco (Author) 2015
    ©2015 Monographs
  • Title: Black Children’s Literature Got de Blues

    Black Children’s Literature Got de Blues

    The Creativity of Black Writers and Illustrators
    by Nancy D. Tolson (Author)
    ©2008 Textbook
  • Title: Splitting the Baby

    Splitting the Baby

    The Culture of Abortion in Literature and Law, Rhetoric and Cartoons
    by Linda Myrsiades (Author)
    ©2002 Textbook
  • Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts

    ISSN: 2191-4060

    This series offers a platform that welcomes publications dealing with culture, literature and visual arts developed in English speaking countries. We invite academic works (both essays and volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "encounters" indicates, we wish this series to be a meeting point for a variety of academic approaches. Hence we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may blend sophisticated, theoretical analyses with pragmatic discussions, enabling new ways of thinking and interpreting human experience.

    7 publications

  • Internationalism and the Arts

    ISSN: 2235-0160

    Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

    6 publications

  • Cultural Interactions: Studies in the Relationship between the Arts

    Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‘double work’ of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory.

    54 publications

  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: Arcadian Waters and Wanton Seas

    Arcadian Waters and Wanton Seas

    The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture
    by Arne Neset (Author)
    ©2009 Monographs
  • Title: Literature and Media: Productive Intersections

    Literature and Media: Productive Intersections

    by Magdalena Cieślak (Volume editor) Michał Lachman (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Mythic Paradigms in Literature, Philosophy, and the Arts

    Mythic Paradigms in Literature, Philosophy, and the Arts

    by Robert Eisenhauer (Author)
    ©2004 Monographs
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