Medieval and Early Modern French Studies

ISSN: 1661-8653

Striking and stimulating contributions continue to be made to French studies and cultural studies of the medieval and early modern periods. This series aims to publish work of the highest quality in these areas. The series will include monographs and collaborative or collected works from both established and younger scholars, and will encompass a wide range of disciplines and theoretical approaches. Contributions will be welcomed in French or English.

22 publications

Russian Transformations: Literature, Culture and Ideas

ISSN: 1662-2545

Russian Transformations publishes studies across the entire extent of Russian literature, thought and culture from the medieval period to the present. The series gives special emphasis to the kinds of transformation that characterise Russian, Soviet and post-Soviet writing. Transformation has often been under the stimulus of (and resistance to) foreign traditions. Acts of cross-cultural and cross-literary reception mark Russia's sense of creative development and national identity. Transformation has often been the result of the on-going dialogues between writers working within the Russian literary tradition through polemic and subtle use of intertextuality. Similarly, the stunning political and social changes that have been characteristic of Russian history generated radical transformation in the institutions of literature and in forms of literature from Modernism to post-Perestroika as writers react to official policy on freedom of expression.

7 publications

Studies in Church History

This series in church history offers a place for diverse scholarship that is sometimes too particularly calibrated for any other publishing category. Rather, the richness of the Church History series is in its scope, which variously mixes historical theology and historical hermeneutics, doctrine and practices of piety, religious or spiritual movements, and institutional configurations. Western Europe and the United States continue to provide grounds for exploration and discourse, but this series will also publish books on Christianity in Asia, Africa, and Latin America. Traditional periodization (Early Christian, Medieval, Reformation and Modern eras) grants maximum representation. The particular focus of the series is the treatment of religious thought as being vital to the historical context and outcome of Christian experience. Fresh interpretations of classic and well-known Christian thinkers (e.g., Augustine, Luther, Calvin, Edwards, etc.) using multicultural perspectives, the critical approaches of feminist and men’s studies form the foundation of the series. Meanwhile, new voices from Christian history need illumination and explication by church historians in this series. Authors who are versatile enough to “cross-over” disciplinary boundaries have enormous opportunity in this series to reach an international audience. This series in church history offers a place for diverse scholarship that is sometimes too particularly calibrated for any other publishing category. Rather, the richness of the Church History series is in its scope, which variously mixes historical theology and historical hermeneutics, doctrine and practices of piety, religious or spiritual movements, and institutional configurations. Western Europe and the United States continue to provide grounds for exploration and discourse, but this series will also publish books on Christianity in Asia, Africa, and Latin America. Traditional periodization (Early Christian, Medieval, Reformation and Modern eras) grants maximum representation. The particular focus of the series is the treatment of religious thought as being vital to the historical context and outcome of Christian experience. Fresh interpretations of classic and well-known Christian thinkers (e.g., Augustine, Luther, Calvin, Edwards, etc.) using multicultural perspectives, the critical approaches of feminist and men’s studies form the foundation of the series. Meanwhile, new voices from Christian history need illumination and explication by church historians in this series. Authors who are versatile enough to “cross-over” disciplinary boundaries have enormous opportunity in this series to reach an international audience. This series in church history offers a place for diverse scholarship that is sometimes too particularly calibrated for any other publishing category. Rather, the richness of the Church History series is in its scope, which variously mixes historical theology and historical hermeneutics, doctrine and practices of piety, religious or spiritual movements, and institutional configurations. Western Europe and the United States continue to provide grounds for exploration and discourse, but this series will also publish books on Christianity in Asia, Africa, and Latin America. Traditional periodization (Early Christian, Medieval, Reformation and Modern eras) grants maximum representation. The particular focus of the series is the treatment of religious thought as being vital to the historical context and outcome of Christian experience. Fresh interpretations of classic and well-known Christian thinkers (e.g., Augustine, Luther, Calvin, Edwards, etc.) using multicultural perspectives, the critical approaches of feminist and men’s studies form the foundation of the series. Meanwhile, new voices from Christian history need illumination and explication by church historians in this series. Authors who are versatile enough to “cross-over” disciplinary boundaries have enormous opportunity in this series to reach an international audience.

10 publications

Contemporary Critical Concepts and Pre-Enlightenment Literature

ISSN: 1074-6781

"Writers who worked before the beginning of rationalist universalism's triumphal period which may be ending now-explored issues of consciousness, ideology, and culture that recent criticism and critical theory, using various specialized vocabularies of concepts, have returned to the center of literäry and social criticism. These early modern figures often anticipated some of our clilemmas; How to manipulate an apparently quite mutable world and, at the same time, preserve belief in an immutable "centered" self? How to reconcile rationalist universalism with personal and cultural stability? Rene Descartes's postulate of man as the master and proprietor of an increasingly built world is fundamentally incompatible with his effort to underwrite man as a stable philosophical subject. Man's technical and linguistic mastery devours his "transcendent subjectivity." Students of literature are now using the ideas of what Larry Riggs calls "post-enlightenment thinkers"-Max Horkheimer, Jacques Lacan, Michael Foucault, Rene Girard, and others-to elucidate the implicit and explicit debates about rationalism that are embedded in literary works. This trend is most usefully seen as a renewal of contact with preoccupations that were quite current in medieval, Renaissance, and seventeenth-century European literature. To date, however, innovative criticism has focused an more recent literature. Some post-structuralists-most notably Jacques Lacan-have tried their hand at interpreting early works. Their ideas are interesting, but their knowledge of the periods in question is often weak. Manuscripts on Elizabethan and Restoration theater, French, Italian, and German writers of the medieval and Renaissance periods, and die seventeenth-century French dramatists and moralists are welcome. "

3 publications

European Connections

European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

54 publications