Race and Resistance Across Borders in the Long Twentieth Century

ISSN: 2297-2552

This series focuses on the history and culture of activists, artists and intellectuals who have worked within and against racially oppressive hierarchies in the twentieth century and beyond, and who have then sought to define and to achieve full equality once those formal hierarchies have been overturned. It explores the ways in which such individuals - writers, scholars, campaigners and organizers, ministers, and artists and performers of all kinds - locate their resistance within a global context and forge connections with each other across national, linguistic, regional and imperial borders. Disseminating the latest interdisciplinary scholarship on the history, literature and culture of anti-racist movements in Africa, the Caribbean, the United States, Europe, Asia and Latin America, the series foregrounds, through a cross-disciplinary approach, the transnational and intercultural nature of these resistance movements. The series embraces a range of themes, including but not limited to antislavery, intellectual and literary networks, emigration and immigration, anti-imperialism, church-based and religious movements, civil rights, citizenship and identity, Black Power, resistance strategies, women's movements, cultural transfer, white supremacy and anti-immigration, hip hop and global justice movements. The series is affiliated with the Race and Resistance Research Programme at The Oxford Research Centre in the Humanities (TORCH), University of Oxford. Proposals are invited for sole- and joint-authored monographs as well as edited collections. We welcome projects in a wide range of fields, including but not restricted to history, political science, anthropology, literature, cultural studies and media studies. Editorial Advisory Board: Funmi Adewole (DeMontfort University), Joan Anim-Addo (Goldsmiths, University of London), Celeste-Marie Bernier (University of Edinburgh), Alan Cobley (University of the West Indies, Cave Hill), Carolyn Cooper (University of the West Indies, Mona), Zaire Dinzey-Flores (Rutgers, State University of New Jersey), Tanisha Ford (University of Delaware), Maryemma Graham (University of Kansas), Christopher J. Lee (The Africa Institute, UAE), Simon Lewis (College of Charleston), Justine McConnell (King's College London), Pap Ndiaye (Sciences Po), Tessa Roynon (University of Oxford), Barbara Savage (University of Pennsylvania), David Scott (Columbia University), Hortense Spillers (Vanderbilt University), Imaobong Umoren (London School of Economics), Harvey Young (Northwestern University)

7 publications

American Studies: Culture, Society & the Arts

The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders.

7 publications

Studies in Asia-Pacific "Mixed Race"

This series will focus on the construction of ‘mixed race’ or creole identities within the Asia-Pacific region. There has been considerable discussion of ‘mixed race’ within European and American contexts (mestiza, hapa, metis, beur, etc) but comparatively little has been said about the many ‘biracial’ and 'multiracial’ populations within the Asia-Pacific. Economic globalisation demands that people cross national borders with increasing frequency. This means that new ‘mixed race’ identities are a prominent feature of the contemporary world. The series examines this contemporary importance from a variety of disciplinary perspectives as well as considering the ways that ‘mixed race’ categories were in the past constructed out of the colonial encounter. The series accepts monographs, collected papers and conference proceedings. This series will focus on the construction of ‘mixed race’ or creole identities within the Asia-Pacific region. There has been considerable discussion of ‘mixed race’ within European and American contexts (mestiza, hapa, metis, beur, etc) but comparatively little has been said about the many ‘biracial’ and 'multiracial’ populations within the Asia-Pacific. Economic globalisation demands that people cross national borders with increasing frequency. This means that new ‘mixed race’ identities are a prominent feature of the contemporary world. The series examines this contemporary importance from a variety of disciplinary perspectives as well as considering the ways that ‘mixed race’ categories were in the past constructed out of the colonial encounter. The series accepts monographs, collected papers and conference proceedings. This series will focus on the construction of ‘mixed race’ or creole identities within the Asia-Pacific region. There has been considerable discussion of ‘mixed race’ within European and American contexts (mestiza, hapa, metis, beur, etc) but comparatively little has been said about the many ‘biracial’ and 'multiracial’ populations within the Asia-Pacific. Economic globalisation demands that people cross national borders with increasing frequency. This means that new ‘mixed race’ identities are a prominent feature of the contemporary world. The series examines this contemporary importance from a variety of disciplinary perspectives as well as considering the ways that ‘mixed race’ categories were in the past constructed out of the colonial encounter. The series accepts monographs, collected papers and conference proceedings.

4 publications

Comparatisme et Société / Comparatism and Society

ISSN: 1780-4515

«Comparatism and Society» is an interdisciplinary collection which considers literature, the arts and the humanities in a close interaction with the evolution of society and the history of ideas. Although open to a wide range of methodologies, it nevertheless favours the perspective of cross-analysis, convinced that the objective of all research should be to reach beyond the limits of linguistic, national and disciplinary borders. Comparatism and Society aims to increase contacts between university researchers and those interested in sharing results and disseminating them to a wider audience. « Comparatisme et Société » est une collection interdisciplinaire qui envisage la littérature, les arts et les sciences humaines dans une interaction étroite avec l’évolution de la société et de l’histoire des idées. Ouverte au pluralisme des méthodes d’analyse, elle privilégie toutefois la perspective des regards croisés, dans la conviction que l’objectif inhérent à toute recherche se doit de dépasser le cadre des frontières linguistiques, nationales et disciplinaires. Elle s’attache à multiplier les contacts entre les chercheurs d’université et les personnes soucieuses de toute communication et diffusion des résultats de recherche auprès d’un plus large public. « Comparatisme et Société » est une collection interdisciplinaire qui envisage la littérature, les arts et les sciences humaines dans une interaction étroite avec l’évolution de la société et de l’histoire des idées. Ouverte au pluralisme des méthodes d’analyse, elle privilégie toutefois la perspective des regards croisés, dans la conviction que l’objectif inhérent à toute recherche se doit de dépasser le cadre des frontières linguistiques, nationales et disciplinaires. Elle s’attache à multiplier les contacts entre les chercheurs d’université et les personnes soucieuses de toute communication et diffusion des résultats de recherche auprès d’un plus large public. «Comparatism and Society» is an interdisciplinary collection which considers literature, the arts and the humanities in a close interaction with the evolution of society and the history of ideas. Although open to a wide range of methodologies, it nevertheless favours the perspective of cross-analysis, convinced that the objective of all research should be to reach beyond the limits of linguistic, national and disciplinary borders. Comparatism and Society aims to increase contacts between university researchers and those interested in sharing results and disseminating them to a wider audience.

49 publications

Cultural Interactions: Studies in the Relationship between the Arts

Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‘double work’ of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory.

54 publications

Trade Unions. Past, Present and Future

ISSN: 1662-7784

This series publishes monographs and edited collections on the history, present condition and possible future role of organised labour around the world. Multidisciplinary in approach, geographically and chronologically diverse, this series is dedicated to the study of trade unionism and the undeniably significant role it has played in modern society. Topics include the historical development of organised labour in a variety of national and regional settings; the political, economic and legal contexts in which trade unionism functions; trade union internationalism past and present; comparative and cross-border studies; trade unions’ role in promoting economic equality and social justice; and trade union revitalisation and future prospects. The aims of the series are to promote an appreciation of the diversity of trade union experience worldwide and to provide an international forum for lively debate on all aspects of the subject.

22 publications

British Identities since 1707

ISSN: 1664-0284

The historiography of British identities has flourished since the mid-1970s, spurred on by increasing national consciousness in England, Scotland, Wales and Northern Ireland, and since 1997 by devolution. Historians and other academics have become increasingly aware that identities in the British Isles have been fluid and that interactions between the different parts of the British Isles have been central to historical developments since, and indeed before, the Act of Union between England and Scotland in 1707. This series seeks to encourage exploration of identities of place in the British Isles since the early eighteenth century, including intersections between competing and complementary identities such as region and nation. The series also advances discussion of other identities such as class, gender, religion, politics, ethnicity and culture when these are geographically located and positioned. While the series is historical, it welcomes cross- and interdisciplinary approaches to the study of British identities. British Identities since 1707 examines the unity and diversity of the British Isles, developing consideration of the multiplicity of negotiations that have taken place in such a multinational and multi-ethnic group of Islands. lt will include discussions of nationalism(s), of Britishness, Englishness, Scattishness, Welshness and Irishness, as well as 'regional' identities including, for example, those associated with Cornwall, the Gäidhealtachd region in Scotland and Gaeltacht areas in Ireland. The series will encompass discussions of relations with continental Europe and the United States, with ethnic and immigrant identities and with other forms of identity associated with the British Isles as place. The editors are interested in publishing books relating to the wider British world, including current and former parts of the British Empire and the Commonwealth, and places such as Gibraltar and the Falkland Islands and the smaller islands of the British archipelago. British Identities since 1707 reinforces the consideration of history, culture and politics as richly diverse across and within the borders of the British Isles.

10 publications

Transnational Cultures

ISSN: 2297-2854

Transnational Cultures promotes enquiry into the literary and cultural productions of transnational experiences characterized by the vertical and lateral exchanges of ideas, objects and linguistic practices across the globe. With the growth of diasporic communities, migratory crossings and virtual exchange, literary and cultural productions beyond, across and traversing borders have become a growing focus of scholarship within historical, contemporary and comparative contexts. Concepts of nationhood are increasingly understood as a limiting and limited way of understanding culture. While we question the binary relations of center versus periphery, global versus local, we also recognize the importance of scholarship examining relationships that escape these binaries, such as those focusing on South–South exchanges, minor transnational relations and Indigenous experiences. The series encourages new work that investigates how a transnational lens might transform existing understandings of cultural exchange and identity formation in any period or location. We are particularly interested in research that shines a light on transnational cultural experiences that are underrepresented and explores how writers and artists from underrepresented groups position themselves vis-à-vis national and global forces. What broader flows of knowledge, capital and power mark pre-modern, modern and contemporary cultural productions and identity formations? How do marginal experiences trouble existing narratives of the nation-state and global–local paradigms? What kinds of creolization of cultures and experiences evolve in the processes of transnationalism? How do transnational flows in the Global South, and among marginal or minority communities, facilitate sites of articulation outside normative discourses? The series strives to offer a renewed understanding of minor and minority expressions and articulations of transnational experiences that often escape national and global discourses. Proposals for monographs and edited collections from international scholars are welcome. The series is interdisciplinary in scope and welcomes research on literature, film, new media, visual culture and beyond. All proposals and manuscripts will be subjected to rigorous peer review. The main language of publication is English. Editorial Board: Rhian Atkin (Lisbon), Shakuntala Banaji (London School of Economics), Simone Brioni (Stony Brook), Helena Buescu (Lisbon), Deborah Cherry (London), Anne Garland Mahler (Virginia), Weihsin Gui (Riverside), Maria Koundoura (Emerson), Su Lin Lewis (Bristol), Churnjeet Mahn (Strathclyde), Jacqueline Maingard (Bristol), Stephen Morton (Southampton), Nasser Mufti (Chicago), Christopher Ouma (Cape Town), Dorothy Price (Courtauld Institute of Art), Oana Popescu-Sandu (Southern Indiana), James Procter (Newcastle), Sara Pugach (Los Angeles), Giulia Riccò (Michigan), Mark Sabine (Nottingham), Shuang Shen (Penn State), Lisa Shaw (Liverpool), Siobhán Shilton (Bristol), Catherine Speck (Adelaide), Emily Celeste Vázquez Enríquez (UC Davis), Toshio Watanabe (East Anglia), Adam Watt (Exeter)

5 publications

Cultural Media Studies

ISSN: 2577-6231

In the past few years, our political, cultural, and media landscapes have cultivated a sharp, notable rise of media activism, more representations of diverse groups and characters, and the need for intersectional approaches to media studies. The #MeToo campaign, the 2017 and 2018 Women’s Marches, Black Lives Matter marches, cross-border anti-feminicide activist marches, immigration marches, and increased representation of diverse sexual identities, racial/ethnic groups, and gender identities are evidence of the need for continued research on cultural media studies topics. The Peter Lang Cultural Media Studies Book Series is accepting book proposals for both proposed book and fully developed manuscripts on a rolling basis for media studies books that explore media production, media consumption, media effects, and media representations of feminism(s), race/ethnicity, gender, sexuality, and related topics.

11 publications