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Running off the Anger: British New Wave
©2019 Monographs -
Death in children's literature and cinema, and its translation
©2020 Edited Collection -
Inspiring Views from «a' the airts» on Scottish Literatures, Art and Cinema
The First World Congress of Scottish Literatures in Glasgow 2014©2017 Conference proceedings -
Gainsborough Pictures Reframed
Or: Raising Jane Austen for 1990s Film- A Film-Historic and Film-Analytical Study of the 1995 Films "Sense and Sensibility</I> and "Persuasion</I>©2003 Thesis -
Ways of Pleasure
Angela Carter's 'Discourse of Delight' in her Fiction and Non-Fiction©2016 Monographs -
Reconstructing Jewish Identity in Pre- and Post-Holocaust Literature and Culture
©2013 Edited Collection -
Faith on the Home Front
Aspects of Church Life and Popular Religion in Birmingham- 1939-1945©2005 Monographs -
Time and Vision Machines in Thomas Pynchon’s Novels
©2019 Monographs -
Academia in Fact and Fiction
©2016 Edited Collection -
Wyndham Lewis the Radical: Essays on Literature and Modernity
©2007 Edited Collection -
Modern French Identities
ISSN: 1422-9005
This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)
155 publications