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One Dragon, Two Doves
A Comparative History of the Catholic Church in China and in Vietnam©2022 Monographs -
Corneille’s «Horace» and David’s «Oath of the Horatii»
A Chapter in the Politics of Gender in Art©2011 Monographs -
Literature, Art, History: Studies on Classical Antiquity and Tradition
In Honour of W. J. Henderson©2003 Edited Collection -
Europe's Itinerant Players and the Advent of German-language Theatre in Reval, Estonia
Unpublished Petitions of the Swedish Era, 1630-1692, in the Reval City Archives©1996 Monographs -
Imagined Australia
Reflections around the reciprocal construction of identity between Australia and Europe©2010 Edited Collection -
Constance de Salm, Her Influence and Her Circle in the Aftermath of the French Revolution
«A Mind of No Common Order»©2012 Monographs -
Discourse on the Art of Negotiation
Translated by Aleksandra Gruzinska and Murray D. Sirkis©2004 Monographs -
South-East European History
ISSN: 2768-7562
Series Editor: Mihai Dragnea (University of South-Eastern Norway) This single-blind peer reviewed series is published in conjunction with the Balkan History Association and comprises original, high-quality disciplinary and interdisciplinary comparative study of South-East Europe from ancient to contemporary times. It welcomes submissions in several formats, including monographs, edited volumes, conference proceedings, and short form publications on various sub-disciplines of history—political, cultural, military, economic, urban, literary, oral, or the history of science communication—art history, history of religions and archaeology. Each volume may contain up to 20 black-and-white images. Editorial Board Dan Dana (French National Centre for Scientific Research) Adrian Ioniță ("Vasile Pârvan" Institute of Archaeology, Bucharest) Ivan Biliarsky (Institute of Historical Studies, Sofia) Mihai-D. Grigore (IEG, Mainz) Vladislav Knoll (Institute of Slavonic Studies, Prague) Adrian Brisku (Charles University, Prague) Isa Blumi (Stockholm University) Katrin Boeckh (IOS, Regensburg) Lavinia Stan (St. Francis Xavier University) Irina Livezeanu (University of Pittsburgh) Proposals and author/volume editor CV should be sent to: mihaidragnea2018@gmail.com
19 publications
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Legacies of War and Dictatorship in Contemporary Portugal and Spain
©2011 Edited Collection -
Cultural History and Literary Imagination
This series promotes critical inquiry into the relationship between the literary imagination and its cultural, intellectual or political contexts. The series encourages the investigation of the role of the literary imagination in cultural history and the interpretation of cultural history through literature, visual culture and the performing arts. Contributions of a comparative or interdisciplinary nature are particularly welcome. Individual volumes might, for example, be concerned with any of the following: The mediation of cultural and historical memory, The material conditions of particular cultural manifestations, The construction of cultural and political meaning, Intellectual culture and the impact of scientific thought, The methodology of cultural inquiry, Intermediality, Intercultural relations and practices. Acceptance is subject to advice from our editorial board, and all proposals and manuscripts undergo a rigorous peer review assessment prior to publication. The usual language of publication is English, but proposals in French, German, Italian and Spanish may also be considered. Editorial Board: Rodrigo Cacho, University of Cambridge; Sarah Colvin, University of Cambridge; Kenneth Loiselle, Trinity University; Heather Webb, University of Cambridge.
36 publications
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American Studies: Culture, Society & the Arts
The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders.
7 publications
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Arcadian Waters and Wanton Seas
The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture©2009 Monographs -
American Studies Over_Seas 1: Narrating Multiple America(s)
In Honor of Teresa F. A. Alves and Teresa Cid©2022 Monographs -
Siting the Other
Re-visions of Marginality in Australian and English-Canadian Drama©2001 Edited Collection -
Sites of Interchange
Modernism, Politics and Culture between Britain and Germany, 1919–1955©2022 Edited Collection -
Gainsborough Pictures Reframed
Or: Raising Jane Austen for 1990s Film- A Film-Historic and Film-Analytical Study of the 1995 Films "Sense and Sensibility</I> and "Persuasion</I>©2003 Thesis