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  • Title: German Art 1907-1937

    German Art 1907-1937

    Modernism and Modernisation
    by Martin Gaughan (Author)
    ©2007 Monographs
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: «De l’art pour tous»

    «De l’art pour tous»

    Les éditions F. Bruckmann et leurs revues d’art dans Munich ville d’art vers 1900
    by Anne-Cécile Foulon (Author)
    ©2002 Thesis
  • Title: New German Literature

    New German Literature

    Life-Writing and Dialogue with the Arts
    by Julian Preece (Volume editor) Frank Finlay (Volume editor) Ruth J. Owen (Volume editor)
    ©2007 Conference proceedings
  • Title: Art of Illusion

    Art of Illusion

    The Representation of Art History in Nineteenth-Century Germany and Beyond
    by Dan Karlholm (Author)
    ©2006 Postdoctoral Thesis
  • Title: The Art of War

    The Art of War

    by Deborah Ascher Barnstone (Volume editor) Barbara McCloskey (Volume editor) 2017
    Edited Collection
  • Title: Kuno Francke’s Edition of «The German Classics» (1913–15)

    Kuno Francke’s Edition of «The German Classics» (1913–15)

    A Critical and Historical Overview
    by Jeffrey L. Sammons (Author)
    ©2009 Monographs
  • German Visual Culture

    German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.

    20 publications

  • Studies in Modern German and Austrian Literature

    ISSN: 2235-3488

    Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics. Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.

    16 publications

  • German Studies in America

    ISSN: 0721-3727

    German Studies in America publishes research across the field of German studies in the broadest sense, from literary criticism to cultural studies. The editors welcome scholarly work that takes an innovative approach to German, Swiss, or Austrian history, literature, politics, philosophy, national identity, religion, popular culture, film, music, and/or visual art. We are also eager to consider projects that adopt interdisciplinary and intersectional approaches as well as studies with theoretical approaches including psychoanalysis, gender studies, feminism, Marxism, critical race studies, etc. We publish scholarly monographs, translations and edited volumes of essays in both German and English. This series adheres to the highest academic standards and is peer reviewed.

    67 publications

  • German Life and Civilization

    ISSN: 0899-9899

    German Life and Civilization contributes to a critical understanding of Central European cultural history from medieval times to the present. Culture is here defined in the broadest sense, comprising expressions and representations in literature, music, performative and pictorial arts, and media, as well as political and sociohistorical developments in the texture of everyday life. Building on its strengths in GDR scholarship and political literature, the series also seeks to explore newer thematic trends such as human entanglements with the environment and natural world, and transnational and minority communities. The series aims to foster progressive and inclusive scholarship that aspires to a synthetic view of culture by crossing traditional disciplinary boundaries. Manuscripts in both English and German are subject to a robust external peer review process. Series Editor: Kristopher Imbrigotta (University of Puget Sound) Series founder: Jost Hermand (University of Wisconsin) Advisory Board: Stephen Brockmann (Carnegie Mellon), Jason Groves (University of Washington), Brigitte Jirku (University of Valencia), Teresa Kovacs (Indiana University), Anke Pinkert (University of Illinois), Caroline Rupprecht (City University of New York), Marc Silberman (University of Wisconsin), Didem Uca (Emory University)

    74 publications

  • Title: German Pop Music in Literary and Transmedial Perspectives

    German Pop Music in Literary and Transmedial Perspectives

    by Uwe Schütte (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Critical Time in Modern German Literature and Culture

    Critical Time in Modern German Literature and Culture

    by Dirk Göttsche (Volume editor) 2016
    ©2016 Edited Collection
  • Title: «Zeitgeist» and «Zerrbild»

    «Zeitgeist» and «Zerrbild»

    Word, Image and Idea in German Satire, 1800-1848
    by Frazer Clark (Author)
    ©2006 Monographs
  • Title: Performance and Performativity in German Cultural Studies

    Performance and Performativity in German Cultural Studies

    by Carolin Duttlinger (Volume editor) Lucia Ruprecht (Volume editor) Andrew Webber (Volume editor)
    ©2003 Conference proceedings
  • Title: German and United States Second World War Military Cemeteries in Italy

    German and United States Second World War Military Cemeteries in Italy

    Cultural Perspectives
    by Birgit Urmson (Author) 2019
    ©2018 Thesis
  • Title: Europe's Itinerant Players and the Advent of German-language Theatre in Reval, Estonia

    Europe's Itinerant Players and the Advent of German-language Theatre in Reval, Estonia

    Unpublished Petitions of the Swedish Era, 1630-1692, in the Reval City Archives
    by Laurence Kitching (Author)
    ©1996 Monographs
  • Title: Identity in Postmillennial German Films on Africa

    Identity in Postmillennial German Films on Africa

    by Shikuku Emmanuel Tsikhungu (Author) 2014
    ©2014 Thesis
  • Title: The Art of Comedy and Social Critique in Nineteenth-Century Germany

    The Art of Comedy and Social Critique in Nineteenth-Century Germany

    Charlotte Birch-Pfeiffer (1800-1868)
    by Rinske Pritchett (Author)
    ©2005 Monographs
  • Title: Essays on German Literature and the Holocaust

    Essays on German Literature and the Holocaust

    Festschrift for David A. Scrase in Celebration of His Eightieth Birthday
    by Wolfgang Mieder (Volume editor) 2019
    ©2019 Monographs
  • Title: Die Commedia dell’arte im Theater des 20. Jahrhunderts

    Die Commedia dell’arte im Theater des 20. Jahrhunderts

    by Veit Bessenbacher (Author) 2015
    ©2015 Thesis
  • Title: The Art of Kunst

    The Art of Kunst

    Selected Poems, Letters, and Other Writings by Thomas Kunst
    by Steven D. Martinson (Volume editor) 2016
    ©2016 Monographs
  • Title: The Agency of Art Objects in Northern Europe, 1380–1520

    The Agency of Art Objects in Northern Europe, 1380–1520

    by Antoni Ziemba (Author) Jan Burzyński (Revision) 2021
    ©2021 Monographs
  • Title: Schöne Kunst und reiche Tafel: über die Bilder der Speisen in Literatur und Kunst / Belle arti e buona tavola: sul significato delle pietanze nell’arte e nella letteratura

    Schöne Kunst und reiche Tafel: über die Bilder der Speisen in Literatur und Kunst / Belle arti e buona tavola: sul significato delle pietanze nell’arte e nella letteratura

    Beiträge der Tagungen Gießen (11./12. Oktober 2014) und Urbino (14./15. Oktober 2014) / Atti dei convegni di Gießen (11/12 ottobre 2014) e Urbino (14/15 ottobre 2014)
    by Sandra Abderhalden (Volume editor) Michael Dallapiazza (Volume editor) Lorenzo Macharis (Volume editor) 2015
    ©2015 Conference proceedings
  • Title: «Eine Art Symbolik fürs Ohr»

    «Eine Art Symbolik fürs Ohr»

    Johann Wolfgang von Goethe. Lyrik und Musik
    by Hermann Jung (Volume editor)
    ©2002 Edited Collection
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