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  • Title: The Black Irish Onscreen

    The Black Irish Onscreen

    Representing Black and Mixed-Race Identities on Irish Film and Television
    by Zelie Asava (Author) 2013
    ©2013 Monographs
  • Title: The Gun and Irish Politics

    The Gun and Irish Politics

    Examining National History in Neil Jordan’s 'Michael Collins'
    by Raita Merivirta (Author) 2011
    ©2009 Monographs
  • Title: Reimagining Irish Studies for the Twenty-First Century

    Reimagining Irish Studies for the Twenty-First Century

    by Eamon Maher (Volume editor) Eugene O'Brien (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Visions of Empire and Other Imaginings

    Visions of Empire and Other Imaginings

    Cinema, Ireland and India 1910-1962
    by Jeannine Woods (Author) 2011
    ©2011 Monographs
  • Title: The Great Pretenders

    The Great Pretenders

    Genre, Form, and Style in the Film Musicals of John Carney
    by Carlos Menéndez Otero (Author) 2023
    ©2023 Monographs
  • Title: Visualizing Dublin

    Visualizing Dublin

    Visual Culture, Modernity and the Representation of Urban Space
    by Justin Carville (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Neil Jordan écrivain-scénariste

    Neil Jordan écrivain-scénariste

    L’imaginaire de la transgression
    by Bertrand Cardin (Author) 2021
    ©2021 Monographs
  • Title: Avalon Revisited

    Avalon Revisited

    Reworkings of the Arthurian Myth
    by María José Álvarez Faedo (Volume editor)
    ©2007 Edited Collection
  • Modern French Identities

    ISSN: 1422-9005

    This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

    155 publications

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