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- Media and Communication (477)
- Science, Society & Culture (145)
- Education (65)
- English Studies (60)
- Romance Studies (51)
- The Arts (50)
- History & Political Science (44)
- Linguistics (38)
- German Studies (28)
- Theology & Philosophy (12)
- Law, Economics & Management (9)
- Slavic Studies (1)
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Social Media, Culture and Politics in Asia
©2014 Textbook -
Otto Dix and Weimar Media Culture
Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit©2022 Monographs -
Disability, Media, Culture
ISSN: 2633-0849
Globally today, television, film and the internet comprise the principal sources of cultural consumption and engagement. Despite this, these areas have not featured strongly in the cultural study of disability. This book series will provide the first specific outlet for international scholars of disability to present their work on these topics. The series will build a body of work that brings together critical analysis of disability and impairments in media and culture. The series expands the work currently undertaken in literary studies on disability by using media and cultural theory to understand the place of disability and impairment in a range of media and cultural forms. The series encourages the development of work on disabled people in the media, within the media industries and in the wider cultural sphere. Whilst film and television analysis will be central to this series, we also encourage work on disability in other media, including journalism, radio, the internet and gaming. We welcome proposals from media studies: narrative constructions of disability; technical aspects of media production; disability, the economy and society; the impact of social media and gaming on disabled identities; and the role of architecture and image. Cultural studies are also encouraged: the uses of disabled and chronically ill bodies, ‘cripping culture’, corporeal projections in culture, intersectional identities, advertising, and the uses of cultural theory in furthering understandings of ableism and disablism. All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English, although we welcome submissions from around the world and on topics that may take as their focus non-English media. We welcome new proposals for monographs and edited collections. Editorial Board: Eleoma Bodammer (Edinburgh), Catalin Brylla (Bournemouth), Colin Cameron (Northumbria), Sally Chivers (Trent, Canada), Eduard Cuelenaere (Ghent), Beth Haller (Towson, USA), Catherine Long, Nicole Marcotić (Windsor), Maria Tsakiri (Cyprus), Dolly Sen, Sonali Shah (Birmingham), Alison Sheldon (Leeds), Murray Simpson (Dundee), Angela M. Smith (Utah), Heike Steinhoff (Ruhr-University Bochum), Laura Waite (Liverpool Hope).
3 publications
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Cinema and Media Cultures in the Middle East
ISSN: 2770-9051
The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.
2 publications
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Media Literacy and the Emerging Citizen
Youth, Engagement and Participation in Digital Culture©2014 Textbook -
Culture, Communication, and Creativity
Reframing the Relations of Media, Knowledge, and Innovation in Society©2014 Edited Collection -
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Nostalgie / Nostalgia
Imaginierte Zeit-Räume in globalen Medienkulturen / Imagined Time-Spaces in Global Media Cultures©2017 Edited Collection -
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Dishing Dirt in the Digital Age
Celebrity Gossip Blogs and Participatory Media Culture©2013 Textbook -
Cultural Barriers to the Success of Foreign Media Content
Western Media in China, India, and Japan©2010 Monographs -
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Cultural Differences in Network Communication
How Polish, German and Ukrainian Netizens Use Social Media©2018 Monographs -
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Media Convergence – Approaches and Experiences
Aftermath of the «Media Convergence – Konwergencja Mediów – Medienkonvergenz» Conference, Jesuit University «Ignatianum», Cracow, Poland, 17-18 March 2011©2013 Edited Collection -
Faith and Media
Analysis of Faith and Media: Representation and Communication©2009 Conference proceedings -
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