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Video Analysis: Methodology and Methods
Qualitative Audiovisual Data Analysis in Sociology©2012 Conference proceedings -
Visuality and Spatiality in Virginia Woolf’s Fiction
©2012 Monographs -
Visuality in the Works of Siri Hustvedt
©2014 Thesis -
Visual Communication
ISSN: 2153-277X
"Visual communication is the process through which individuals in relationships, organizations, and cultures interpret and create visual messages in response to their environment, one another, and social structures. This series seeks to enhance our understanding of visual communication and it explores the role of visual communication in culture. Topics of interest include visual perception and cognition; signs and symbols; typography and image; research on graph ic design, use of visual imagery in education. On a cultural level, research on visual media analysis and critical methods that examine the larger cultural messages imbedded in visual images is welcome. By providing a variety of approaches to the analysis of visual media and messages, this book series is designed to explore issues relating to visual literacy, visual communication, visual rhetoric, visual culture, and any unique method for examining visual communication. "
16 publications
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The Visual Grammar of Pablo Picasso
©2003 Monographs -
German Visual Culture
German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.
20 publications
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Iain Sinclair, London and the Photographic
The Significance of the Visual Medium for the Writer’s Prose©2018 Monographs -
American Women in Cartoons 1890–1920
Female Representation and the Changing Concepts of Femininity during the American Woman Suffrage Movement- An empirical analysis©2013 Thesis -
Old Borders, New Technologies
Reframing Film and Visual Culture in Contemporary Northern Ireland©2014 Monographs -
Du split-screen au multi-screen-- From split-screen to multi-screen
La narration vidéo-filmique spatialement distribuée-- Spatially distributed video-cinematic narration©2011 Edited Collection -
Texts, Images, Practices
Contemporary Perspectives on American, British and Polish Cultures©2021 Edited Collection -
The Geometry of Vision and the Mind Body Problem
©1987 Others