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Media Convergence – Approaches and Experiences
Aftermath of the «Media Convergence – Konwergencja Mediów – Medienkonvergenz» Conference, Jesuit University «Ignatianum», Cracow, Poland, 17-18 March 2011©2013 Edited Collection -
Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders between the Balkans and Europe
The Geopolitical and imaginary borders between the balkans and Europe©2014 Monographs -
From Revolutionary Theater to Reactionary Litanies
Gustave Hervé (1871–1944) at the Extremes of the French Third Republic©2016 Monographs -
The Reception of German Theater in Greece
Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)©2019 Thesis -
Rhetoric, Politics, and Hamilton: An American Musical
©2021 Textbook -
Healthy Spirit in a Healthy Body
Representations of the Sports Body in Soviet Art of the 1920s and 1930s©2004 Thesis -
The Art of Seeing, the Art of Listening
The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet©2004 Thesis -
Communication Ethics, Media, and Popular Culture
©2005 Textbook -
Personal Experience and the Media
Media Interplay in Rainer Werner Fassbinder’s Work for Theatre, Cinema and Television©2006 Thesis -
The Media and International Communication
©2007 Conference proceedings -
Prophetic Critique and Popular Media
Theoretical Foundations and Practical Applications©2013 Textbook -
The Creation of an Avant-Garde Brand
Heiner Müller’s Self-Presentation in the German Public Sphere©2023 Monographs -
Theaomai – Studien zu den performativen Künsten
ISSN: 1436-1981
The Old Greek verb theaomai – looking both with the mind’s eye and the actual eye – since the very beginning of European theatre suggests a close relation between theatre and theory. Within the act of perception the spectators, theates, relate the things they hear and see to the site of their memory and psyche. Of all the arts those who reflect the process of perception in the aesthetic form itself are performative arts. This series publishes interdisciplinary studies between theatre- and media studies as well as studies on the visual arts that analyse the social and subjective potential of the aesthetic process of looking, hearing, and reading. Das altgriechische Verb theaomai – «mit dem geistigen wie konkreten Auge schauen» – legt seit den Anfängen des europäischen Theaters eine enge Beziehung von Theater und Theorie nahe. Diese wird vom Zuschauer theates über den Akt seiner Wahrnehmung geknüpft: er verbindet konkretes Hören und Sehen mit dem Schauplatz seines Gedächtnisses und seiner Psyche. Künste, die diesen Prozess des Wahrnehmens in der ästhetischen Form selbst reflektieren, somit Denken und sinnliche Teilnahme des Rezipienten fordern, um die Sinnpotentialitäten des ästhetischen Gegenstands zu realisieren, sind performative Künste. Die Reihe veröffentlicht interdisziplinäre Studien im Übergang von Theater-, Kunst- und Medienwissenschaft, die das gesellschafts- und subjektkritische Potential des Prozesses ästhetischer Zuschauer-, Hörer- oder Leserwahrnehmung untersuchen.
12 publications