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  • Title: Media Convergence – Approaches and Experiences

    Media Convergence – Approaches and Experiences

    Aftermath of the «Media Convergence – Konwergencja Mediów – Medienkonvergenz» Conference, Jesuit University «Ignatianum», Cracow, Poland, 17-18 March 2011
    by Renata Szczepaniak (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders between the Balkans and Europe

    Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders between the Balkans and Europe

    The Geopolitical and imaginary borders between the balkans and Europe
    by Ana Foteva (Author) 2014
    ©2014 Monographs
  • Title: From Revolutionary Theater to Reactionary Litanies

    From Revolutionary Theater to Reactionary Litanies

    Gustave Hervé (1871–1944) at the Extremes of the French Third Republic
    by Michael B. Loughlin (Author) 2016
    ©2016 Monographs
  • Title: Sh@kespeare in the Media

    Sh@kespeare in the Media

    From the Globe Theatre to the World Wide Web
    by Stefani Brusberg-Kiermeier (Volume editor) Jörg Helbig (Volume editor) 2004
    ©2010 Edited Collection
  • Title: The Reception of German Theater in Greece

    The Reception of German Theater in Greece

    Establishing a Theatrical Locus Communis: The Royal Theater in Athens (1901-1906)
    by Michalis Georgiou (Author) 2019
    ©2019 Thesis
  • Title: Rhetoric, Politics, and Hamilton: An American Musical

    Rhetoric, Politics, and Hamilton: An American Musical

    by Jeffrey P. Mehltretter Drury (Volume editor) Sara A. Mehltretter Drury (Volume editor) 2021
    ©2021 Textbook
  • Title: Staging the Post-Avant-Garde

    Staging the Post-Avant-Garde

    Italian Experimental Performance after 1970
    by Gabriella Giannachi (Author) Nick Kaye (Author)
    ©2003 Monographs
  • Title: Healthy Spirit in a Healthy Body

    Healthy Spirit in a Healthy Body

    Representations of the Sports Body in Soviet Art of the 1920s and 1930s
    by Nina Sobol Levent (Author)
    ©2004 Thesis
  • Title: The Art of Seeing, the Art of Listening

    The Art of Seeing, the Art of Listening

    The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet
    by Ursula Böser (Author)
    ©2004 Thesis
  • Title: Communication Ethics, Media, and Popular Culture

    Communication Ethics, Media, and Popular Culture

    by Phyllis M. Japp (Volume editor) Mark Meister (Volume editor) Debra K. Japp (Volume editor)
    ©2005 Textbook
  • Title: Casting Gender

    Casting Gender

    Women and Performance in Intercultural Contexts
    by Laura Lengel (Volume editor) John T. Warren (Volume editor)
    ©2005 Textbook
  • Title: Staging New Britain

    Staging New Britain

    Aspects of Black and South Asian British Theatre Practice
    by Geoffrey V. Davis (Volume editor) Anne Fuchs (Volume editor)
    ©2006 Textbook
  • Title: Personal Experience and the Media

    Personal Experience and the Media

    Media Interplay in Rainer Werner Fassbinder’s Work for Theatre, Cinema and Television
    by Klaus Ulrich Militz (Author)
    ©2006 Thesis
  • Title: The Media and International Communication

    The Media and International Communication

    by Barbara Lewandowska-Tomaszczyk (Volume editor) Tomasz Pludowski (Volume editor) Dolores Valencia Tanno (Volume editor)
    ©2007 Conference proceedings
  • Title: Prophetic Critique and Popular Media

    Prophetic Critique and Popular Media

    Theoretical Foundations and Practical Applications
    by Robert H. Jr. Woods (Volume editor) Kevin Healey (Volume editor)
    ©2013 Textbook
  • Title: Arts, Media, and Justice

    Arts, Media, and Justice

    Multimodal Explorations with Youth
    by Lalitha M. Vasudevan (Volume editor) Tiffany DeJaynes (Volume editor)
    ©2013 Textbook
  • Title: The Francophone World

    The Francophone World

    Cultural Issues and Perspectives
    by Michelle M. Beauclair (Volume editor)
    ©2003 Textbook
  • Title: The Creation of an Avant-Garde Brand

    The Creation of an Avant-Garde Brand

    Heiner Müller’s Self-Presentation in the German Public Sphere
    by Jens Pohlmann (Author) 2023
    ©2023 Monographs
  • Title: Digitalization of the Industry in a Brand New Normal

    Digitalization of the Industry in a Brand New Normal

    Media and Art
    by Tuna Tetik (Volume editor) Hasan Kemal Süher (Volume editor) Ömer Vatanartıran (Volume editor) 2022
    Edited Collection
  • Theaomai – Studien zu den performativen Künsten

    ISSN: 1436-1981

    The Old Greek verb theaomai – looking both with the mind’s eye and the actual eye – since the very beginning of European theatre suggests a close relation between theatre and theory. Within the act of perception the spectators, theates, relate the things they hear and see to the site of their memory and psyche. Of all the arts those who reflect the process of perception in the aesthetic form itself are performative arts. This series publishes interdisciplinary studies between theatre- and media studies as well as studies on the visual arts that analyse the social and subjective potential of the aesthetic process of looking, hearing, and reading. Das altgriechische Verb theaomai – «mit dem geistigen wie konkreten Auge schauen» – legt seit den Anfängen des europäischen Theaters eine enge Beziehung von Theater und Theorie nahe. Diese wird vom Zuschauer theates über den Akt seiner Wahrnehmung geknüpft: er verbindet konkretes Hören und Sehen mit dem Schauplatz seines Gedächtnisses und seiner Psyche. Künste, die diesen Prozess des Wahrnehmens in der ästhetischen Form selbst reflektieren, somit Denken und sinnliche Teilnahme des Rezipienten fordern, um die Sinnpotentialitäten des ästhetischen Gegenstands zu realisieren, sind performative Künste. Die Reihe veröffentlicht interdisziplinäre Studien im Übergang von Theater-, Kunst- und Medienwissenschaft, die das gesellschafts- und subjektkritische Potential des Prozesses ästhetischer Zuschauer-, Hörer- oder Leserwahrnehmung untersuchen.

    12 publications

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