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  • Title: Liminal Borderlands in Irish Literature and Culture

    Liminal Borderlands in Irish Literature and Culture

    by Irene Gilsenan Nordin (Volume editor) Elin Holmsten (Volume editor) 2011
    ©2009 Conference proceedings
  • Title: Envisioning Ireland

    Envisioning Ireland

    W. B. Yeats’s Occult Nationalism
    by Claire Nally (Author) 2011
    ©2010 Monographs
  • Title: Theatres in the Round

    Theatres in the Round

    Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama
    by Dorothy Figueira (Volume editor) Marc Maufort (Volume editor) 2011
    ©2011 Edited Collection
  • Title: The Visual and the Verbal in Film, Drama, Literature and Biography

    The Visual and the Verbal in Film, Drama, Literature and Biography

    by Miroslawa Buchholtz (Volume editor) Grzegorz Koneczniak (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Seven Essays

    Seven Essays

    Studies in Literature, Drama, and Film
    by Abdulla M. Al-Dabbagh (Author) 2016
    ©2016 Monographs
  • Title: Returning the Gaze

    Returning the Gaze

    The Manichean Drama of Postcolonial Exoticism
    by Asma Agzenay (Author) 2015
    ©2015 Monographs
  • Title: When Novels Perform History

    When Novels Perform History

    Dramatizing the Past in Australian and Canadian Literature
    by Rebecca Waese (Author) 2017
    Monographs
  • Title: Art and Resistance: Studies in Modern Indian Theatres

    Art and Resistance: Studies in Modern Indian Theatres

    by Dorothy Figueira (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Mediating the Windrush Children

    Mediating the Windrush Children

    Caryl Phillips and Horace Ové
    by Josiane Ranguin (Author) 2020
    ©2020 Prompt
  • Title: Siting the Other

    Siting the Other

    Re-visions of Marginality in Australian and English-Canadian Drama
    by Marc Maufort (Volume editor) Franca Bellarsi (Volume editor)
    ©2001 Edited Collection
  • Title: Shakespeare and Canada

    Shakespeare and Canada

    Essays on Production, Translation, and Adaptation
    by Ric Knowles (Author)
    ©2004 Monographs
  • Title: Voices in the Heart

    Voices in the Heart

    Postcolonialism and Identity in Hong Kong Literature
    by Brian J. Hooper (Author)
    ©2003 Thesis
  • Title: Reading without Maps?

    Reading without Maps?

    Cultural Landmarks in a Post-Canonical Age- A Tribute to Gilbert Debusscher
    by Christophe Den Tandt (Volume editor)
    ©2005 Others
  • Title: Transgressive Itineraries

    Transgressive Itineraries

    Postcolonial Hybridizations of Dramatic Realism
    by Marc Maufort (Author)
    ©2003 Monographs
  • Title: Modern Anglophone Drama by Women

    Modern Anglophone Drama by Women

    by Alan P. Barr (Volume editor)
    ©2007 Monographs
  • Title: Out of History

    Out of History

    Essays on the Writings of Sebastian Barry
    by Mahony Christina Hunt (Volume editor)
    ©2009 Edited Collection
  • Title: Female «Othellos»

    Female «Othellos»

    by Inci Bilgin Tekin (Author) 2018
    ©2018 Monographs
  • Title: Because We Are Poor

    Because We Are Poor

    Irish Theatre in the 1990s
    by Victor Merriman (Volume editor)
    ©2011 Monographs
  • Title: Building (in) the Promised Land

    Building (in) the Promised Land

    Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)
    by Grzegorz Koneczniak (Author) 2021
    ©2022 Monographs
  • Dramaturgies

    Textes, Cultures et Représentations / Texts, Cultures and Performances

    ISSN: 1376-3199

    This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of “minority” playwrights –– ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies. Cette série présente des travaux de recherche innovateurs dans le domaine de la dramaturgie des XXe et XXIe siècles. Son objectif essentiel est de ré-examiner la relation complexe entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel. La collection offre des analyses du lien entre textes dramatiques et multiculturalisme (études de dramaturges issus de « minorités » diverses, ethniques, aborigènes et sexuelles), de nouvelles approches de dramaturges confirmés à la lumière des théories critiques contemporaines, des études de l’interface entre pratique théâtrale et analyse textuelle, des études de formes théâtrales marginales (cirque, vaudeville, etc.), des monographies relatives au théâtre postcolonial ainsi qu’aux nouveaux modes d’expression dramatique. Elle aborde également le domaine du théâtre comparé et de la théorie théâtrale. This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of “minority” playwrights –– ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies. Cette série présente des travaux de recherche innovateurs dans le domaine de la dramaturgie des XXe et XXIe siècles. Son objectif essentiel est de ré-examiner la relation complexe entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel. La collection offre des analyses du lien entre textes dramatiques et multiculturalisme (études de dramaturges issus de « minorités » diverses, ethniques, aborigènes et sexuelles), de nouvelles approches de dramaturges confirmés à la lumière des théories critiques contemporaines, des études de l’interface entre pratique théâtrale et analyse textuelle, des études de formes théâtrales marginales (cirque, vaudeville, etc.), des monographies relatives au théâtre postcolonial ainsi qu’aux nouveaux modes d’expression dramatique. Elle aborde également le domaine du théâtre comparé et de la théorie théâtrale.

    46 publications

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