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  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Deconstructing Woody Allen

    Deconstructing Woody Allen

    Ein amerikanischer Filmemacher zwischen Kunst und Kommerz
    by Angelika Janssen (Author)
    ©2002 Thesis
  • Title: 4. Liberal Education and the Capitalocene in American Higher Education
  • Title: , trans. and ed. by Judith Shoaf. Peterborough, Ont.: Broadview Editions, 2018, 363 pp., 12 b/w ill.
  • Title: Gemeinsam/Together II

    Gemeinsam/Together II

    Kognitiv beeinträchtigte Menschen in europäischen Spielfilmen/People with Learning Disabilities in European Feature Films
    by Susanne Hartwig (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Death as Performance in the Conversations between Heiner Müller and Alexander Kluge
  • Mikrokosmos

    Beiträge zur germanistischen und allgemeinen Literaturwissenschaft

    Wolfgang Harms established the Mikrokosmos series in 1974 and was later joined by Peter Strohschneider as co-editor. In 2015, editorial responsibility was taken over by Frieder von Ammon and Michael Waltenberger. The monographs and anthologies published in this series focus on subjects in the field of German-speaking literature from the distant past right up to the present. Areas of contact with neighbouring literature, relations to other forms of art, and interrelationships with cultural contexts are also addressed. Particular focus lies on studies that analyse their subject matter in great depth, combined with extensive conceptual and methodical reflection, to produce advanced contributions to topics currently under discussion in the field of literature theory. Die Reihe Mikrokosmos wurde 1974 von Wolfgang Harms gegründet, später von ihm gemeinsam mit Peter Strohschneider herausgegeben. Seit 2015 liegt die Herausgeberschaft bei Frieder von Ammon und Michael Waltenberger. Die Monographien und Sammelbände der Reihe befassen sich mit Themen aus dem Gesamtbereich der deutschsprachigen Literatur von ihren Anfängen bis zur Gegenwart. Kontaktzonen zu den Nachbarliteraturen, Beziehungen zu den anderen Künsten und Wechselwirkungen mit kulturellen Kontexten werden mitbeachtet. Einen Schwerpunkt bilden Studien, die mit dem präzisen analytischen Zugriff auf ihren Gegenstand einen hohen Grad an konzeptueller und methodischer Reflexion verbinden und auf diese Weise avancierte Beiträge zu aktuellen literaturtheoretischen Diskussionen liefern können.

    78 publications

  • Imagining Black Europe

    ISSN: 2633-108X

    This series seeks to publish critical and nuanced scholarship in the field of Black European Studies. Moving beyond and building on the Black Atlantic approach, books in this series will underscore the existence, diversity and evolution of Black Europe. They will provide historical, intersectional and interdisciplinary perspectives on how Black diasporic peoples have reconfigured the boundaries of Black identity making, claim making and politics; created counterdiscourses and counterpublics on race, colonialism, postcolonialism and racism; and forged transnational connections and solidarities across Europe and the globe. The series will also illustrate the ways that Black European diasporic peoples have employed intellectual, socio-political, artistic/cultural, affective, digital and pedagogical work to aid their communities and causes, challenge their exclusion and cultivate ties with their allies, thus gaining recognition in their societies and beyond. Representing the field’s dynamic growth methodologically, geographically and culturally, the series will also collectively interrogate notions of Blackness, Black diasporic culture and Europeanness while also challenging the boundaries of Europe. Books in the series will critically examine how race and ethnicity intersect with the themes of gender, nationality, class, religion, politics, kinship, sexuality, affect and the transnational, offering comparative and international perspectives. One of the main goals of the series is to introduce and produce rigorous academic research that connects not only with individuals in academia but also with a broader public. Areas of interest: Social movements Racial discourses and politics Empire, slavery and colonialism Decolonialization and postcolonialism Gender, sexuality and intersectionality Black activism (in all its forms) Racial and political violence and surveillance Racial constructions Diasporic practices Race and racialization in the ancient, medieval, modern and contemporary eras Identity, representation and cultural productions (music, art, literature, etc.) Memory Migration and immigration Citizenship State building and diplomacy Nations and nationalisms All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English. We welcome new proposals for monographs and edited collections. Advisory Board: Hakim Adi (Chichester), Robbie Aitken (Sheffield Hallam), Catherine Baker (Hull), Eddie Bruce-Jones (Birkbeck), Alessandra Di Maio (Palermo), Akwugo Emejulu (Warwick), Philomena Essed (Antioch), Crystal Fleming (Stony-Brook), David Theo Goldberg (UC Irvine), Silke Hackenesch (Cologne), Elahe Haschemi Yekani (Humboldt), Nicholas R. Jones (Yale), Silyane Larcher (CNRS), Olivette Otele (SOAS, London), Sue Peabody (Washington State), Kennetta Hammond Perry (Northwestern), Cassander L. Smith (Alabama), S. A. Smythe (Toronto)

    7 publications

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