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Creative Paths to Television Journalism
©2015 Monographs -
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Feuchtwanger and Remigration
©2013 Conference proceedings -
Gigging, Busking and Bending the Dots
How People Learn to Be Jazz Musicians. Case Studies from Bristol©2013 Monographs -
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Spanish Golden Age Texts in the Twenty-First Century
Teaching the Old Through the New©2019 Edited Collection -
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Discursive Constructions around Terrorism in the "People’s Daily" (China) and "The Sun" (UK) before and after 9.11
A Corpus-based Contrastive Critical Discourse Analysis©2010 Monographs -
Climate Change and the Media
©2009 Textbook -
Innovation, Education and Communication for Sustainable Development
©2006 Edited Collection -
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Queering Paradigms
ISSN: 2235-5367
Queering Paradigms is a series of peer-reviewed edited volumes and monographs presenting challenging and innovative developments in Queer Theory and Queer Studies from across a variety of academic disciplines and political spheres. Queer in this context is understood as a critical disposition towards the predominantly binarist and essentialising social, intellectual, political, and cultural paradigms through which we understand gender, sexuality, and identity. Queering denotes challenging and transforming not just heteronormativity, but homonormativity as well, and pushing past the binary axes of homo- and hetero-sexuality. In line with the broad inter- and trans-disciplinary ethos of queer projects generally, the series welcomes contributions from both established and aspiring researchers in diverse fields of studies including political and social science, philosophy, history, religious studies, literary criticism, media studies, education, psychology, health studies, criminology, and legal studies. The series is committed to advancing perspectives from outside of the Global North. Further, it will publish research that explicitly links queer insights to specific and local political struggles, which might serve to encourage the uptake of queer insights in similar contexts. By cutting across disciplinary, geographic, and cultural boundaries in this way, the series provides a unique contribution to queer theory. The Series Editor: Professor B. Scherer is Chair of Comparative Religion, Gender and Sexuality at Canterbury Christ Church University, UK, and an executive editor of the journal Religion and Gender. Read more about Queering Paradigms at the Canterbury Christ Church University's Queering Paradigms website.
11 publications
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Studies in Literature, Culture, and the Environment / Studien zu Literatur, Kultur und Umwelt
ISSN: 2365-645X
This interdisciplinary and international book series aims to bring together current approaches in the environmental humanities (particularly in the fields of ecocriticism, environmental history, and environmental justice), with a focus on European contexts. It comprises thematic and theoretical studies which engage ecological issues, climate change, and the discourse of the Anthropocene, seeking to understand the forms of their representation across different media, cultures, and historical periods. „Studies in Literature, Culture, and the Environment" aim to connect the environmental humanities to the social and natural sciences and thus to contribute to the remediation of ecological problems. The series comprises monographs and edited volumes in both German and English. All publications will be peer reviewed. Book proposals are welcome and may be submitted to the editors. Editorial Board: Stefania Barca (University of Coimbra, Portugal) Axel Goodbody (University of Bath, UK) Isabel Hoving (Leiden University, The Netherlands) Dolly Jørgensen (Luleå University of Technology, Sweden) Peggy Karpouzou (National and Kapodistrian University of Athens, Greece) Timo Maran (University of Tartu, Estonia) Serpil Oppermann (Cappadocia University, Ürgüp/Nevşehir, Turkey) Dana Phillips (Towson University, Baltimore, USA) Stephanie Posthumus (McGill University, Montreal, Canada) Christiane Solte-Gresser (Saarland University, Saarbrücken, Germany) Keijiro Suga (Meiji University, Tokyo, Japan) Pasquale Verdicchio (University of California, San Diego, USA) Berbeli Wanning (University of Siegen, Germany) Sabine Wilke (University of Washington, Seattle, USA) Hubert Zapf (University of Augsburg, Germany) Nikoleta Zampaki (National and Kapodistrian University of Athens, Greece) Evi Zemanek (University of Freiburg, Germany) Die interdisziplinär und international ausgerichtete Reihe hat das Ziel, aktuelle Forschungsansätze zu Ecocriticism, Umweltgeschichte und Umweltgerechtigkeit mit einem deutlichen Fokus auf Europa zu bündeln. Sie umfasst theoretische und gegenstandsbezogene Studien, die sich mit dem Umwelt- und Klimawandel wie auch dem Anthropozän-Diskurs aus geistes- und kulturwissenschaftlicher Perspektive auseinandersetzen und die Formen ihrer narrativen und bildlichen Darstellung epochen- und kulturraumübergreifend ausloten. Zudem schlägt sie eine Brücke zu den umweltbezogenen Sozial- und Naturwissenschaften und will so zum besseren Verständnis ökologischer Probleme beitragen. Die Reihe enthält Monographien, Forschungsberichte sowie Sammel- und Tagungsbände in deutscher und englischer Sprache. Alle Bände werden peer reviewed. Manuskriptvorschläge an die Herausgeber sind willkommen. Wissenschaftlicher Beirat: Stefania Barca (Universität Coimbra, Portugal) Axel Goodbody (Universität Bath, Großbritannien) Isabel Hoving (Universität Leiden, Niederlande) Dolly Jørgensen (Luleå University of Technology, Schweden) Peggy Karpouzou (Nationale und Kapodistrias-Universität Athen, Griechenland) Timo Maran (Universität Tartu, Estland) Serpil Oppermann (Kapadokya Universität, Ürgüp/Nevşehir, Türkei) Dana Phillips (Towson University, Baltimore, USA) Stephanie Posthumus (McGill University, Montreal, Kanada) Christiane Solte-Gresser (Universität des Saarlandes, Saarbrücken) Keijiro Suga (Meiji University, Tokyo, Japan) Pasquale Verdicchio (University of California, San Diego, USA) Berbeli Wanning (Universität Siegen) Sabine Wilke (University of Washington, Seattle, USA) Hubert Zapf (Universität Augsburg) Nikoleta Zampaki (Nationale und Kapodistrias-Universität Athen, Griechenland) Evi Zemanek (Universität Freiburg)
17 publications
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Documentary Film Cultures
ISSN: 2504-4834
This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)
6 publications
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Vampire Studies: New Perspectives on the Undead
ISSN: 2977-0718
Vampires are everywhere. Appearing on streaming services, in book series and on multimedia platforms, vampires and the undead are an integral part of popular culture in the twenty-first century. But vampires have a long and varied history across cultures from at least the early eighteenth century onwards. Nina Auerbach once commented on their cultural ubiquity: ‘Every age embraces the vampire it needs, and gets the vampire it deserves’. The inherently transformative properties of vampires have made them uniquely able to reflect the age in which they appear. As a result, they provide original and multiple perspectives, not just on culture, but on established and emerging areas of study. Vampires and the undead serve as a useful lens for exploring Indigeneity, environmental studies and the ecogothic; identity, ethnicity and gender politics; material culture, spectatorship and fan cultures; hybridity, post-humanism and futurities; disability, mental health and ageing studies; and theology, philosophy and politics. These new territories and methodologies of vampire studies also retroactively shift the ways we view and understand earlier iterations of the undead and the different cultures they materialized from. In this first book series dedicated to vampire studies, authors will explore the ongoing evolution of vampires and the undead in the broadest sense – including the supernatural, super-human and non-human, and across cultures, histories and media – and will use new theoretical frameworks to offer original and innovative readings of established and more recent texts. This original series aims to provide a focused hub for the diverse and often dispersed body of study that sees the vampire and the undead not as a subgenre of other categories such as the Gothic or horror, but as a genre in its own right that intersects with others. An important dimension of the series is diversity and the inclusion of multiple cultural and minority perspectives, including LGBTQ+, disability, Indigeneity, and any approaches that encourage new ways of viewing the cultural impact of vampires and the undead and widen our understanding of an ever-expanding genre. Proposals for monographs and edited collections are warmly invited. All projects undergo rigorous peer review. Please contact the series editor, Simon Bacon (baconetti@googlemail.com), or editorial@peterlang.com for more information. Editorial Board: Stacey Abbott (Birkbeck, University of London), Katarzyna Ancuta (Chulalongkorn University, Thailand), Uzoamaka Melissa Anyiwo (University of Scranton, USA), John Edgar Browning (Savannah College of Art and Design, USA), S. Brooke Cameron (Queen's University, Canada), Sir Christopher Frayling, Tabish Khair (University of Aarhus, Denmark), Lorna Piatti-Farnell (Auckland University of Technology, New Zealand), Xavier Aldana Reyes (Manchester Metropolitan University, UK), Cristina Santos (Brock University, Canada), Jeffrey Andrew Weinstock (Central Michigan University, USA), Laura Westengard (City University of New York).
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