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Intermedial Encounters Between Image, Music and Text

With and Beyond Roland Barthes

by Fabien Arribert-Narce (Volume editor) Alex Watson (Volume editor) 2023

©2024 Edited Collection
The GDR Tomorrow

Rethinking the East German Legacy

by Elizabeth Emery (Volume editor) Matthew Hines (Volume editor) Evelyn Preuss (Volume editor) 2024

©2024 Edited Collection
Renewal and Resistance

Catholic Church Music from the 1850s to Vatican II

by Paul Collins (Volume editor) 2011

©2010 Edited Collection
Modernism on Sea

Art and Culture at the British Seaside

by Lara Feigel (Volume editor) Alexandra Harris (Volume editor) 2012

©2009 Edited Collection
Modernism on Sea

Art and Culture at the British Seaside

by Lara Feigel (Volume editor) Alexandra Harris (Volume editor) 2011

©2012 Edited Collection
Music Theory and its Methods

Structures, Challenges, Directions

by Denis Collins (Volume editor) 2013

©2013 Edited Collection
Art in Motion II

Motor Skills, Motivation, and Musical Practice

by Adina Mornell (Volume editor) 2012

©2012 Edited Collection
(Im)perfection Subverted, Reloaded and Networked: Utopian Discourse across Media

by Barbara Klonowska (Volume editor) Zofi Kolbuszewska (Volume editor) Grzegorz Maziarczyk (Volume editor) 2015

©2015 Edited Collection
Fictions and Metafictions of Evil

Essays in Literary Criticism, Comparative Literature and Interdisciplinary Studies

by Grazyna Branny (Volume editor) J. Gill Holland (Volume editor) 2013

©2013 Edited Collection
Germans in Queensland

150 Years

by Andrew Bonnell (Volume editor) Rebecca Vonhoff (Volume editor) 2013

©2013 Edited Collection
The Musical Culture of Silesia before 1742

New Contexts – New Perspectives

by Pawel Gancarczyk (Volume editor) Lenka Hlávková-Mrácková (Volume editor) 2013

©2014 Edited Collection
American Experience – The Experience of America

by Andrzej Ceynowa (Volume editor) Marek Wilczynski (Volume editor) 2013

©2013 Edited Collection
Poland and Artistic Culture of Western Europe

14 th –20 th Century

by Barbara Przybyszewska-Jarminska (Volume editor) Lech Sokol (Volume editor) 2014

©2014 Edited Collection
Poisoned Cornucopia

Excess, Intemperance and Overabundance across Cultures and Literatures

by Ryszard Wolny (Volume editor) Stankomir Nicieja (Volume editor) 2014

©2015 Edited Collection
Musical Romania and the Neighbouring Cultures

Traditions – Influences – Identities- Proceedings of the International Musicological Conference- July 4–7 2013, Iaşi (Romania)

by Laura Vasiliu (Volume editor) Florin Luchian (Volume editor) Loredana Iatesen (Volume editor) 2014

©2014 Edited Collection
The Embodiment of Authority

Perspectives on Performances

by Taina Riikonen (Volume editor) Marjaana Virtanen (Volume editor) 2015

©2015 Edited Collection
Spectrum of Emotions

From Love to Grief

by Wojciech Drąg (Volume editor) Ewa Kębłowska-Ławniczak (Volume editor) 2016

©2016 Edited Collection
Contact and Conflict in English Studies

Assistant editors: Christian Grösslinger / Christopher Herzog

by Sabine Coelsch-Foisner (Volume editor) Herbert Schendl (Volume editor) 2015

©2015 Edited Collection
Meanings of Jazz in State Socialism

by Gertrud Pickhan (Volume editor) Rüdiger Ritter (Volume editor) 2015

©2016 Edited Collection
New York, New York!

Urban Spaces, Dreamscapes, Contested Territories

by Sabine Sielke (Volume editor) 2015

©2016 Edited Collection
From Modernism to Postmodernism

Between Universal and Local

by Gregor Pompe (Volume editor) Katarina Bogunović Hočevar (Volume editor) Nejc Sukljan (Volume editor) 2016

©2016 Edited Collection
Jazz from Socialist Realism to Postmodernism

by Yvetta Kajanová (Volume editor) Gertrud Pickhan (Volume editor) Rüdiger Ritter (Volume editor) 2016

©2016 Edited Collection
Musical Identities and European Perspective

An Interdisciplinary Approach

by Ivana Perković (Volume editor) Franco Fabbri (Volume editor) 2018

©2017 Edited Collection
Discourses, Communities, and Global Englishes

by Roberto Cagliero (Volume editor) Jennifer Jenkins (Volume editor) 2011

©2011 Edited Collection

Intermedial Encounters Between Image, Music and Text

The GDR Tomorrow

Renewal and Resistance

Modernism on Sea

Modernism on Sea

Music Theory and its Methods

Art in Motion II

(Im)perfection Subverted, Reloaded and Networked: Utopian Discourse across Media

Fictions and Metafictions of Evil

Germans in Queensland

The Musical Culture of Silesia before 1742

American Experience – The Experience of America

Poland and Artistic Culture of Western Europe

Poisoned Cornucopia

Musical Romania and the Neighbouring Cultures

The Embodiment of Authority

Spectrum of Emotions

Music and Genocide

Contact and Conflict in English Studies

Meanings of Jazz in State Socialism

New York, New York!

From Modernism to Postmodernism

Jazz from Socialist Realism to Postmodernism

Musical Identities and European Perspective

Discourses, Communities, and Global Englishes

Key Subject Areas